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Cinematic Chronotopes: Here, Now, Me de Pepita Hesselberth

Cinematic Chronotopes: Here, Now, Me

Autor Pepita Hesselberth
en Limba Engleză Paperback – 16 dec 2015
The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.
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Specificații

ISBN-13: 9781501316104
ISBN-10: 1501316109
Pagini: 208
Ilustrații: 85 bw illus
Dimensiuni: 152 x 229 x 11 mm
Greutate: 0.28 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States

Caracteristici

Expands the notion of 'cinematic' beyond theatrical cinema, to multimedia environments, exhibitions and media installations

Notă biografică

Pepita Hesselberth is assistant professor in cultural theory, film, and digital media at the Department of Film and Literary Studies, Leiden University, the Netherlands. She is the author of Cinematic Chronotopes (Bloomsbury, 2014), and the co-editor of two collected volumes on compact cinematic forms: Compact Cinematics (with Maria Poulaki; Bloomsbury 2017), and, as guest editor of Empedocles: Journal of Philosophy of Communication, on "Short Film Experience" (with Carlos Roos; 2015). Currently she is working on her project on Disconnectivity in the Digital Age, for which she received a grant from the Danish Council of Independent Research, and is appointed as a research fellow at the University of Copenhagen.

Cuprins

AcknowledgementsList of IllustrationsIntroduction The Site of Cinema Cinematic Time Deixis Flashing ForwardHERE - Locating the Cinematic Expanded Cinema: Proliferating Screens It's About Time (Or Is It?): Situating Other Rooms: Re-scaling Outer and Inner Space: Expanding Locating the Cinematic: HereNOW - Navigating Cinematic Time Handheld Histories: Authenticity, Reflexivity, Corporeality Authentic Encounters: Zusje (Little Sister) Affective Encounters: Rosetta Traumatic Encounters: Idioterne (The Idiots) Navigating Cinematic Time: NowMe - Situating Cinematic Presence 3D and the Demise of the Euclidian Subject Projection: From Subject-Effect to Presence-Effect Presence and the Temporality of the Event The Experience of Agency Situating Cinematic Presence: MeCoda - Flash ForwardNotesFilmographyBibliographyIndex

Recenzii

Pepita Hesselberth's Cinematic Chronotopes contributes to the contemporary debate about the survival and role of cinema in the era of digital media.
The question of cinematic time has become one of the key issues in contemporary film studies, and Cinematic Chronotopes tackles this issue in an original way, navigating between the idea that time has been eviscerated and the Deleuzean position that cinema immerses us in the time-image. This is a work full of great insights and edifying film analyses.
Cinema and video art experiments with space, time and agency, warping and multiplying them outside of their linguistic indices by embodying them as affective encounters. Cinematic Chronotopes analyses these encounters across a range of sites, from Andy Warhol to Rafael Lozano-Hemmer, from Lars Von Trier's The Idiots to Duncan Jones' Source Code: in every case it offers us fundamental insights into the power of the moving image to relocate the viewer and itself within a living, mutating space-time.
Cinematic Chronotopes is an ambitious work that connects our contemporary multimediated lives with the potential of the 'cinematic'. At once sensitive to the accomplishment of film theory and the need for more nuanced discussions of new image experiences, Hesselberth offers a valuable model for re-engaging the cinematic self in the post-cinematic age
Pepita Hesselberth's Cinematic Chronotopes disassembles two decades of film culture: in the gallery, in the European art cinema, in projections into public space and in recent Hollywood. Taking on and rewriting influential accounts of the time-image, phenomenological, historical and formal film criticism, she gives a new account of the moving image as art of time, and of subjectivity as process engendered in the cinematic encounter that is as profound as it is innovative.