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Arcadia: Acting Edition S.

Autor Tom Stoppard
en Limba Engleză Paperback – 31 mai 1993

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This is Tom Stoppard's award-winning play, set in Derbyshire. The orderly classicism of Lady Croom's Capability Brown grounds are being turned into picturesque romantic chaos, as fashion dictates, by landscape architect Culpability Noakes. In a Regency room overlooking the work is Lady Croom's brilliant adolescent daughter - Thomasina Coverly, with her handsome, clever tutor Septimus Hodge. Their maths lesson is disturbed by, among others, the imperious, amorous Lady Croom and Ezra Chater, a cuckold and minor poet, determined on satisfaction. One hundred and eighty years later, in the same room, a corresponding group, comprising a mathematician, a biographer/historian, and a vulgar academic, try to unravel the events of 1809 - with spectacularly wrong results.
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Specificații

ISBN-13: 9780573017186
ISBN-10: 0573017182
Pagini: 100
Ilustrații: black & white illustrations
Dimensiuni: 140 x 216 x 5 mm
Greutate: 0.18 kg
Editura: Samuel French Ltd
Seria Acting Edition S.

Locul publicării:United Kingdom

Notă biografică

Tom Stoppard's other work includes Rosencrantz and Guildenstern Are Dead (Tony Award), Jumpers, Travesties (Tony Award), Night and Day, After Margritte, The Real Thing (Tony Award), Enter a Free Man, Hapgood, Arcadia (Evening Standard Award, The Oliver Award and the Critics Award), Dalliance and Undiscovered Country, Indian Ink (a stage adaptation of his own play, In the Native State) and The Invention of Love.

His radio plays include The Dissolution of Dominic Boot, 'M' is for Moon Among Other Things, If You're Glad I'll Be Frank, Albert's Bridge (Italia Prize), Where Are They Now?, Artist Descending A Staircase, The Dog It Was That Died and In the Native State (Sony Award).

His work for television includes Professional Foul (Bafta Award, Broadcasting Press Guild Award). His film credits include Rosencrantz and Guildenstern Are Dead which he also directed (winner of the Golden Lion, Venice Film Festival).

Recenzii

"There's no doubt about it. 'Arcadia' is Tom Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and ... emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow."--Vincent Canby, "The New York Times"

Textul de pe ultima copertă

In a large country house in Derbyshire in April 1809 sit Lady Thomasina Coverly, aged thirteen, and her tutor, Septimus Hodge. Through the window may be seen some of the '500 acres inclusive of lake' where Capability Brown's idealized landscape is about to give way to the 'picturesque' Gothic style: 'everything but vampires', as the garden historian Hannah Jarvis remarks to Bernard Nightingale when they stand in the same room 180 years later.

Bernard has arrived to uncover the scandal which is said to have taken place when Lord Byron stayed at Sidley Park.

Tom Stoppard's absorbing play takes us back and forth between the centuries and explores the nature of truth and time, the difference between the Classical and the Romantic temperament, and the disruptive influence of sex on our orbits in life -- 'the attraction which Newton left out'.


Descriere

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"Arcadia "takes us back and forth between the nineteenth and twentieth centuries, ranging over the nature of truth and time, the difference between the Classical and the Romantic temperament, and the disruptive influence of sex on our orbits in life. Focusing on the mysteries romantic, scientific, literary that engage the minds and hearts of characters whose passions and lives intersect across scientific planes and centuries, it is "Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and . . . emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow . . . Exhilarating" (Vincent Canby, "The New York Times")."

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