Art as Human Practice: An Aesthetics
Autor Georg W. Bertram Traducere de Nathan Rossen Limba Engleză Paperback – 9 ian 2019
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (1) | 165.48 lei 3-5 săpt. | |
| Bloomsbury Publishing – 9 ian 2019 | 165.48 lei 3-5 săpt. | |
| Hardback (1) | 496.89 lei 6-8 săpt. | |
| Bloomsbury Publishing – 9 ian 2019 | 496.89 lei 6-8 săpt. |
Preț: 165.48 lei
Preț vechi: 192.18 lei
-14% Nou
Puncte Express: 248
Preț estimativ în valută:
31.68€ • 32.60$ • 26.70£
31.68€ • 32.60$ • 26.70£
Carte disponibilă
Livrare economică 08-22 februarie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781350063150
ISBN-10: 1350063150
Pagini: 256
Dimensiuni: 138 x 216 x 29 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
ISBN-10: 1350063150
Pagini: 256
Dimensiuni: 138 x 216 x 29 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom
Caracteristici
This book has an incredibly wide scope including history of art theory, contemporary practices and spanning both the analytic and continental traditions within philosophy. If could be used as an introduction to contemporary aesthetics
Notă biografică
Georg W. Bertram is Professor of Philosophy and Aesthetics at the Freie Universität Berlin, Germany. Nathan Ross is Associate Professor of Philosophy at Oklahoma State University, USA.
Cuprins
IntroductionChapter 1: A Critique of the Autonomy ParadigmChapter 2: From Kant to Hegel and BeyondChapter 3: Autonomy as Self-Referential Constitution: Art as Practical ReflectionChapter 4: Art as Practice of FreedomBibliographyIndex
Recenzii
[This] book builds an important bridge between contemporary Continental and Anglo-American philosophy of art, as Bertram rather seamlessly discusses figures who rarely meet under the same cover . [It] should provoke thoughtful discussion on whether and/or to what extent art should be viewed in a less object-centered manner, as a reflective practice.
In his groundbreaking new book, Georg Bertram argues that human beings turn to artistic meaning-making precisely when they are foundering in practice or confused about how to find coherence and value in their practical lives--a recurring phenomenon within the disruptions of modernity. Audiences of artworks in turn participate imaginatively in the work's sensuous-formal exploration of new possibilities of sense. In this way, Bertram shows how art is neither a matter of entertainment alone nor theoretical insight alone, but instead urgently and intimately part of the ongoing, reciprocal self-constitution of subjects as bearers of stances within and on practices. There is no better account than this of how and why art matters.
In his groundbreaking new book, Georg Bertram argues that human beings turn to artistic meaning-making precisely when they are foundering in practice or confused about how to find coherence and value in their practical lives--a recurring phenomenon within the disruptions of modernity. Audiences of artworks in turn participate imaginatively in the work's sensuous-formal exploration of new possibilities of sense. In this way, Bertram shows how art is neither a matter of entertainment alone nor theoretical insight alone, but instead urgently and intimately part of the ongoing, reciprocal self-constitution of subjects as bearers of stances within and on practices. There is no better account than this of how and why art matters.