Art, Play, Labour: the Music Profession in Germany (1850–1960): Studies in Central European Histories, cartea 73
Autor Martin Rempeen Limba Engleză Hardback – 3 mai 2023
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Specificații
ISBN-13: 9789004542716
ISBN-10: 900454271X
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in Central European Histories
ISBN-10: 900454271X
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in Central European Histories
Notă biografică
Martin Rempe, Ph.D. (2010), Humboldt University, Berlin, is a senior researcher at the University of Konstanz. He specializes in the social history of music and the history of European-African relations. Among many other publications, he has co-edited Musicking in Twentieth Century Europe: A Handbook (De Gruyter, 2021).
Cuprins
Contents
Preface to the English translation
Acknowledgements
List of Figures and Tables
Abbrevations
Introduction
1 Wilhelm Wieprecht or On the Life of the Musician in the Sattelzeit
1 Municipal Pipe Bands
2 Municipal Theatre
3 Court Orchestras
4 Military Bands
5 Musicians’ Lives in the Sattelzeit
2 The Discovery of the Social: Musicians’ Organizations between Art and Labour
1 Liszt, Wagner and the Allgemeiner Deutscher Musikverein
2 A Rendezvous with Hirsch and Schulze-Delitzsch
3 The General German Musicians’ Union
4 Putting the Class Struggle on Hold
3 Musicians’ Plight: Education and Everyday Working Life around 1900
1 The Hell of Apprenticeship and Little Old Men Painting Pictures
2 Hungry Dogs Make Good Hunters
3 Versatile, Mobile, Flexible: Lifeworlds
4 Sombart’s Insights
4 In a Different World: Women in Musical Life
1 Role Models
2 Pianomania
3 Four Life Paths
4 Born to Play
5 A Circuitous Route into the Bourgeoisie: Self-Civilizing and Lobbying
1 Education Is Power
2 Knowledge Production as an Aid to Self-Help
3 Musicians’ Movement and Trade Unions
4 Musicians as Workers: Social Legislation
5 Social Democratic Terrorism: The Munich Orchestra Scandal
6 Reconciliation of Interests and Municipalization
7 David and Goliath: Against Military Competition
8 Nietzsche’s Freak Show
6 War Profiteers: Musicians at the Front and at Home
1 Privileges at the Front
2 Limited and Unlimited Solidarity
3 Good Prospects
4 Essential to the War Effort: Orchestral Musicians
5 Relative War Profits
7 Squabbling Professions: Musicians, Composers and Music Teachers
1 Perspectives on a Unified Chamber of Musicians
2 Turf Wars
3 A Search for Lost Unity: The Musikergemeinschaft
4 Vanity Fair
8 An Era of Experiments: New Media, Fashions and Musicians in the Cultural and Welfare State
1 War and Peace: Continuities
2 Musical Empire: The Cultural State
3 Curse and Blessing: The Welfare State
4 The Ephemeral Job Description of ‘Silent Film Musician’
5 A Playground for Conductors and Composers: Radio
6 Jazz, or the Emergence of Popular Music as an Independent Genre
7 Emancipation in the Workplace
8 Musicians for the ‘People’s Body’ (Volkskörper): Occupational Hygiene
9 In the Middle of Society
9 Neglected Muse: Nazi Music Policy
1 Cutback Fever: The World Economic Crisis
2 The Reich Chamber of Music: Right-Wing Staff …
3 … and Left-Wing Reforms
4 Exclusions: Jews and Opponents of the Regime
5 Civil Decline …
6 … and Remilitarization
7 United in Discord: The Music of the Volksgemeinschaft
8 Beyond Instrumentalization
10 Forced Migrations: Lifeworlds in Times of War and Violence
1 Global Refugee Movements
2 A Provincial Terminus: Exile in the United States
3 Music as Avenue of Escape? Deportations
4 Scattered by War
5 Managing Lack in the Reich
6 Twilight of the Musicians?
11 The Day of the Orchestral Musician: Ascent and Exit in West Germany
1 Flourishing Musicians in a Time of Rubble
2 Orchestral Revolution amid the Jobs Crisis
3 Money, Money, Money: Wage Agreements and Royalties
4 Winners and Losers
5 At the Crossroads
Conclusion: Musicians’ Lives as Creative Work
Appendix: Statistics on the Music Profession in Germany
Bibliography
Index
Preface to the English translation
Acknowledgements
List of Figures and Tables
Abbrevations
Introduction
Part 1: Lifeworlds in the Nineteenth Century
1 Wilhelm Wieprecht or On the Life of the Musician in the Sattelzeit
1 Municipal Pipe Bands
2 Municipal Theatre
3 Court Orchestras
4 Military Bands
5 Musicians’ Lives in the Sattelzeit
2 The Discovery of the Social: Musicians’ Organizations between Art and Labour
1 Liszt, Wagner and the Allgemeiner Deutscher Musikverein
2 A Rendezvous with Hirsch and Schulze-Delitzsch
3 The General German Musicians’ Union
4 Putting the Class Struggle on Hold
3 Musicians’ Plight: Education and Everyday Working Life around 1900
1 The Hell of Apprenticeship and Little Old Men Painting Pictures
2 Hungry Dogs Make Good Hunters
3 Versatile, Mobile, Flexible: Lifeworlds
4 Sombart’s Insights
4 In a Different World: Women in Musical Life
1 Role Models
2 Pianomania
3 Four Life Paths
4 Born to Play
Part 2: Projects of Professionalization, 1890–1930
5 A Circuitous Route into the Bourgeoisie: Self-Civilizing and Lobbying
1 Education Is Power
2 Knowledge Production as an Aid to Self-Help
3 Musicians’ Movement and Trade Unions
4 Musicians as Workers: Social Legislation
5 Social Democratic Terrorism: The Munich Orchestra Scandal
6 Reconciliation of Interests and Municipalization
7 David and Goliath: Against Military Competition
8 Nietzsche’s Freak Show
6 War Profiteers: Musicians at the Front and at Home
1 Privileges at the Front
2 Limited and Unlimited Solidarity
3 Good Prospects
4 Essential to the War Effort: Orchestral Musicians
5 Relative War Profits
7 Squabbling Professions: Musicians, Composers and Music Teachers
1 Perspectives on a Unified Chamber of Musicians
2 Turf Wars
3 A Search for Lost Unity: The Musikergemeinschaft
4 Vanity Fair
8 An Era of Experiments: New Media, Fashions and Musicians in the Cultural and Welfare State
1 War and Peace: Continuities
2 Musical Empire: The Cultural State
3 Curse and Blessing: The Welfare State
4 The Ephemeral Job Description of ‘Silent Film Musician’
5 A Playground for Conductors and Composers: Radio
6 Jazz, or the Emergence of Popular Music as an Independent Genre
7 Emancipation in the Workplace
8 Musicians for the ‘People’s Body’ (Volkskörper): Occupational Hygiene
9 In the Middle of Society
Part 3: Crisis, Collapse, Continuities, 1930–1960
9 Neglected Muse: Nazi Music Policy
1 Cutback Fever: The World Economic Crisis
2 The Reich Chamber of Music: Right-Wing Staff …
3 … and Left-Wing Reforms
4 Exclusions: Jews and Opponents of the Regime
5 Civil Decline …
6 … and Remilitarization
7 United in Discord: The Music of the Volksgemeinschaft
8 Beyond Instrumentalization
10 Forced Migrations: Lifeworlds in Times of War and Violence
1 Global Refugee Movements
2 A Provincial Terminus: Exile in the United States
3 Music as Avenue of Escape? Deportations
4 Scattered by War
5 Managing Lack in the Reich
6 Twilight of the Musicians?
11 The Day of the Orchestral Musician: Ascent and Exit in West Germany
1 Flourishing Musicians in a Time of Rubble
2 Orchestral Revolution amid the Jobs Crisis
3 Money, Money, Money: Wage Agreements and Royalties
4 Winners and Losers
5 At the Crossroads
Conclusion: Musicians’ Lives as Creative Work
Appendix: Statistics on the Music Profession in Germany
Bibliography
Index