Articulating the <i>Ḥijāba</i>: Cultural Patronage and Political Legitimacy in al-Andalus: The ʿĀmirid Regency c. 970-1010 AD: Handbook of Oriental Studies. Section 1 The Near and Middle East, cartea 156
Autor Mariam Rosser-Owenen Limba Engleză Hardback – 7 dec 2021
Din seria Handbook of Oriental Studies. Section 1 The Near and Middle East
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Specificații
ISBN-13: 9789004469136
ISBN-10: 9004469133
Dimensiuni: 193 x 260 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Handbook of Oriental Studies. Section 1 The Near and Middle East
ISBN-10: 9004469133
Dimensiuni: 193 x 260 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Handbook of Oriental Studies. Section 1 The Near and Middle East
Notă biografică
Mariam Rosser-Owen, D.Phil. (2004), University of Oxford, is Curator Middle East at the Victoria and Albert Museum, London, specialising in the arts of Islamic Iberia and North Africa, with a particular focus on ivory and ceramics.
Cuprins
Contents
Acknowledgements
List of Figures
Abbreviations
Maps
Introduction
1 Al-Dawla al-ʿĀmiriyya: Constructing the ʿĀmirid State
1 Succession Crisis
2 Regency
3 The Maghrib
4 Conspicuous Piety
5 The Rise to Power
6 Al-Manṣūr
7 The Culmination of Power
8 Rupture
9 Restoration
10 Inheritance
2 Appropriating Diplomacy: The ʿĀmirid Court
1 The ‘Ceremonial Idiom’
2 Tools of Diplomacy
3 ʿĀmirid Diplomatic Relations
4 Diplomatic Exchange with the Maghrib
5 Objects of Exchange
3 ‘The Creation of Loyalty’: Public and Private Staging of the ʿĀmirid Court
1 Elegance and Eloquence: the Literary Court
2 Private Poetry
3 A Culture of Learning
4 Architecture as Titulature: al-Madīnat al-Zāhira
1 Looking for al-Zāhira
2 Reconstructing the Palace
3 Reconstructing the City
4 Why Did al-Manṣūr Build al-Madīnat al-Zāhira?
5 What Did al-Madīnat al-Zāhira Look Like?
5 The Politics of Piety: Al-Manṣūr’s Extension to the Great Mosque of Cordoba
1 The Pre-ʿĀmirid Mosque
2 The ʿĀmirid Mosque
3 Qurʾānic Inscriptions at the Great Mosque of Cordoba
6 The Dār al-Ṣināʿa: ʿĀmirid Patronage of the Luxury Arts
1 The Origins of the Dār al-Ṣināʿa
2 Iṣtināʿ: The Strategic Use of Objects
7 Building a Corpus of ʿĀmirid Art
1 Objects Associated with al-Manṣūr
2 Objects Associated with ʿAbd al-Malik al-Muẓaffar (r. 1002–8)
3 Objects Associated with ʿAbd al-Raḥmān ‘Sanchuelo’
4 ʿĀmirid Objects without Designated Patrons
5 The Language of ʿĀmirid Art
8 Poems in Stone: Imagery, Text and Meaning in ʿĀmirid Art
1 Poetic and Visual Imagery
2 Text and Image in ʿĀmirid Art
Conclusion
Appendix 1: Genealogy of the Banū Abī ʿĀmir, 711–1085
Appendix 2: Timeline of al-Manṣūr’s Main Campaigns and Offices Held
Appendix 3a: Qurʾānic Inscriptions inside the Cordoba Mosque
Appendix 3b: Qurʾānic Inscriptions on the Eastern Façade of the Cordoba Mosque
Appendix 4: Inscriptions on Objects Made for the ʿĀmirids
Bibliography
Index
Acknowledgements
List of Figures
Abbreviations
Maps
Introduction
1 Al-Dawla al-ʿĀmiriyya: Constructing the ʿĀmirid State
1 Succession Crisis
2 Regency
3 The Maghrib
4 Conspicuous Piety
5 The Rise to Power
6 Al-Manṣūr
7 The Culmination of Power
8 Rupture
9 Restoration
10 Inheritance
2 Appropriating Diplomacy: The ʿĀmirid Court
1 The ‘Ceremonial Idiom’
2 Tools of Diplomacy
3 ʿĀmirid Diplomatic Relations
4 Diplomatic Exchange with the Maghrib
5 Objects of Exchange
3 ‘The Creation of Loyalty’: Public and Private Staging of the ʿĀmirid Court
1 Elegance and Eloquence: the Literary Court
2 Private Poetry
3 A Culture of Learning
4 Architecture as Titulature: al-Madīnat al-Zāhira
1 Looking for al-Zāhira
2 Reconstructing the Palace
3 Reconstructing the City
4 Why Did al-Manṣūr Build al-Madīnat al-Zāhira?
5 What Did al-Madīnat al-Zāhira Look Like?
5 The Politics of Piety: Al-Manṣūr’s Extension to the Great Mosque of Cordoba
1 The Pre-ʿĀmirid Mosque
2 The ʿĀmirid Mosque
3 Qurʾānic Inscriptions at the Great Mosque of Cordoba
6 The Dār al-Ṣināʿa: ʿĀmirid Patronage of the Luxury Arts
1 The Origins of the Dār al-Ṣināʿa
2 Iṣtināʿ: The Strategic Use of Objects
7 Building a Corpus of ʿĀmirid Art
1 Objects Associated with al-Manṣūr
2 Objects Associated with ʿAbd al-Malik al-Muẓaffar (r. 1002–8)
3 Objects Associated with ʿAbd al-Raḥmān ‘Sanchuelo’
4 ʿĀmirid Objects without Designated Patrons
5 The Language of ʿĀmirid Art
8 Poems in Stone: Imagery, Text and Meaning in ʿĀmirid Art
1 Poetic and Visual Imagery
2 Text and Image in ʿĀmirid Art
Conclusion
Appendix 1: Genealogy of the Banū Abī ʿĀmir, 711–1085
Appendix 2: Timeline of al-Manṣūr’s Main Campaigns and Offices Held
Appendix 3a: Qurʾānic Inscriptions inside the Cordoba Mosque
Appendix 3b: Qurʾānic Inscriptions on the Eastern Façade of the Cordoba Mosque
Appendix 4: Inscriptions on Objects Made for the ʿĀmirids
Bibliography
Index