Artistic Capital
Autor David Galensonen Limba Engleză Paperback – 17 noi 2005
Analyzing the careers of major literary and artistic figures, such as Cézanne, van Gogh, Dickens, Hemingway and Plath, Galenson highlights the different methods by which artists have made innovations.
Pointing to a new and richer history of the modern arts, this book is of interest, not only to humanists and social scientists, but to anyone interested in the nature of human creativity in general.
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Specificații
ISBN-13: 9780415701716
ISBN-10: 0415701716
Pagini: 304
Ilustrații: 72 tables and 3 line drawings
Dimensiuni: 156 x 234 x 17 mm
Greutate: 0.48 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415701716
Pagini: 304
Ilustrații: 72 tables and 3 line drawings
Dimensiuni: 156 x 234 x 17 mm
Greutate: 0.48 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Cuprins
Part 1: The Life Cycles of Modern Painters – Evidence from Art Historians. Quantifying Artistic Success. Measuring Masters and Masterpieces. Was Jackson Pollock the Greatest Modern American Painter? The New York School versus the School of Paris. Part 2: The Life Cycles of Modern Painters – Evidence from Auction Markets. The Market Evaluation of Fine Art The Life. Cycles of Modern Artists. Part 3: Markets and Artists’ Behavior. Masterpieces and Markets. The Reappearing Masterpiece. Part 4: Life Cycles of Artistic Creativity: Beyond Painting Literary Life Cycles. A Portrait of the Artist as a Young or Old Innovator.
Notă biografică
David W. Galenson is Professor of Economics at the University of Chicago. He is author of Painting Outside the Lines (Harvard University Press, 2002) and editor of Markets in History (Cambridge University Press, 1989). He has published in the Journal of political Economy, Journal of Economic History and many other leading journals.
Descriere
David Galenson's work on the history of art is a unique fusion of econometrics and cultural analysis that is unprecedented in the literature on creativity in any discipline, whether economics, psychology, literary studies or art history.