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Arts, Ecologies, Transitions: Constructing a Common Vocabulary

Editat de Roberto Barbanti, Isabelle Ginot, Makis Solomos, Cécile Sorin
en Limba Engleză Paperback – 28 feb 2024
Arts, Ecologies, Transitions provides in-depth insights into how aesthetic relations and current artistic practices are fundamentally ecological and intrinsically connected to the world. As art is created in a given historic temporality, it presents specific modalities of productive and sensory relations to the world.
With contributions from 49 researchers, this book tracks evolutions in the arts that demonstrate an awareness of the environmental, economic, social, and political crises. It proposes interdisciplinary approaches to art that clarify the multiple relationships between art and ecology through an exploration of key concepts such as collapsonauts, degrowth, place, recycling, and walking art. All the artistic fields are addressed from the visual arts, theatre, dance, music and sound art, cinema, and photography – including those that are rarely represented in research such as digital creation or graphic design – to showcase the diversity of artistic practices in transition.
Through original research this book presents ideas in an accessible format and will be of interest to students and researchers in the fields of environmental studies, ecology, geography, cultural studies, architecture, performance studies, visual arts, cinema, music, and literature studies.
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Specificații

ISBN-13: 9781032596143
ISBN-10: 1032596147
Pagini: 264
Ilustrații: 1 Line drawings, black and white; 1 Illustrations, black and white
Dimensiuni: 156 x 234 x 19 mm
Greutate: 0.49 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Preface          
Roberto Barbanti, Isabelle Ginot, Makis Solomos and Cecile Sorin
 
Introduction 
Roberto Barbanti, Isabelle Ginot, Makis Solomos and Cecile Sorin
 
1.     Acoustic Ecology      
 
Kostas Paparrigopoulos
 
2.     Aesthetic Subjectivation       
 
Roberto Barbanti                   
 
3.     Aisthesis        
 
Carmen Pardo Salgado         
 
4.     Alienation      
 
Eric Lecerf
 
5.     Animal                       
 
Baptiste Morizot
 
6.     Anthropocene and Aesthetics (The)  
 
Matthieu Duperrex                
 
7.     Architecture   
 
Philippe Chiambaretta
 
8.     Art and Milieu (Works of)     
 
Yann Aucompte          
 
9.     Art in Common          
 
Estelle Zhong Mengual
 
10.  Biodiversity: An Aesthetic Emergency         
 
Joanne Clavel
 
11.  Cinema          
 
Damien Marguet        
 
12.  Co-creation: Collective, Participatory, and Immersive Art   
 
Alice Gervais-Ragu                
                 
13.  Collapsonauts
 
Yves Citton and Jacopo Rasmi
 
14.  Contemporary Dance
 
Joanne Clavel
 
15.  Decoloniality 
 
Nathalie Coutelet
 
16.  Degrowth       
 
Kostas Paparrigopoulos and Makis Solomos
 
17.  Digital Creation         
 
Anne-Laure George-Molland and Jean-Francois Jego
 
18.  Documentary Arts      
 
Soko Phay      
 
19.  Ecocriticism and Ecocinema 
 
Cecile Sorin   
 
20.  Ecofeminism 
 
Frederick Duhautpas 
 
21.  Ecofeminist Territories          
 
Tiziana Villani
 
22.  Ecosomatics   
 
Marie Bardet, Joanne Clavel and Isabelle Ginot
 
23.  Garden (The) 
 
Gilles Clement
 
24.  Geography and Aesthetic Production of Ecological Issues   
 
Joanne Clavel, Clara Breteau and Nathalie Blanc
 
25.  Graphic Design          
 
Yann Aucompte          
 
26.  I for Iconoemic          
 
Giusy Checola
 
27.  Landscapes, Territory, and Urbanism
 
Alberto Magnaghi      
 
28.  Learning and Experience       
 
Anastasya Chernigina and Antoine Freychet
 
29.  Literature and the Commons 
 
Remi Astruc and Thierry Tremblay
 
30.  Literature(s)   
 
Aline Berge
                                                                                         
31.  Memory and Choreographic Works  
 
Isabelle Launay          
 
32.  Music 
 
Carmen Pardo Salgado and Makis Solomos
 
33.  Musical Performance and Wet Markets        
 
Pavlos Antoniadis      
 
34.  Performance  
 
Helene Singer
 
35.  Pest Plants      
 
Lorraine Verner         
 
36.  Photography   
 
Michel Poivert
 
37.  Place  
 
Augustin Berque        
 
38.  Plastic Arts     
 
Lorraine Verner
 
39.  Recycling       
 
Gala Hernandez Lopez          
 
40.  Site Specificity
 
Lorraine Verner
 
41.  Socially-Engaged Art
 
Isabelle Ginot
 
42.  Sound and Sound Milieus      
 
Makis Solomos           
 
43.  Sound Art       
 
Susana Jimenez Carmona, Carmer Pardo Salgado and Matthieu Saladin
 
44.  Technology and Economy of Means 
 
Agostino DiScipio      
 
45.  Territory         
 
Ludovic Duhem
           
46.  Theatre
 
Eliane Beaufils and Julie Sermon      
 
47.  Transitory Urbanism  
 
Fabrice Rochelandet 
 
48.  Visual 
 
Claire Fagnart           
 
49.  Walking Art    
 
Antoine Freychet and Anastasia Chernigina
 
Bibliography 

Notă biografică

Roberto Barbanti is Emeritus Professor in the Department of Visual Arts at Université Paris 8 and a member of the Arts des images et art contemporain research unit. He co-founded and co-edited the journal Sonorités (2006–2017) and is an advisory board member for the publisher Eterotopia France. His research areas cover ecosophy, sound ecology, and contemporary art. His publications include: Les limites du vivant (co-edited with Lorraine Verner, 2016), Dall’immaginario all’acustinario. Prolegomeni a un’ecosofia sonora (2020), and Les sonorités du monde. De l’écologie sonore à l’écosophie sonore (2023).
Isabelle Ginot is Professor of Dance Studies at Université Paris 8 and co-founder of the association Association d’individus en mouvements engagés. Her two main areas of research intersect with issues of vulnerability and difference in dance. The first addresses dance performance analysis and criticism, and focuses on artists with disabilities who perform on stage. The second analyses practices, especially practices (workshops, performances, participatory art) with "non-dancers" who have disabilities, are ageing, or are affected by social discrimination and exclusion. From 2010 to 2019, she chaired the research group Soma&Po, developing research and practices on the political and social uses of somatic practices. Currently, she runs a practice-based seminar entitled "Mouvements engagés" (Engaged moves), a peer-led workshop that shares dance practices in French care institutions. Lastly, she investigates alternative formats for academic research, involving the participation of artists, activists, and non-scholar actors.
Makis Solomos was born in Greece and lives in France. He is Professor of Musicology at Université Paris 8 and Director of the research unit MUSIDANSE. He has published many books and articles about new music. His main areas of research are the focus on sound, the notion of musical space, new musical technics and technologies, the mutations of listening, and the ecology of sound. His book From Music to Sound: The Emergence of Sound in 20th- and 21st-Century Music (Routledge, 2019) deals with an important change in today’s music. His latest book Towards an Ecology of Sound: Environmental, Mental and Social Ecologies in Music, Sound Art and Artivisms (Routledge, 2023) addresses an expanded notion of ecology, mixing environmental issues and socio-political questions. He is also one of the main Xenakis specialists, to whom he has devoted many publications. For Xenakis’s centenary (2022), he co-organized the "Xenakis22: Centenary International Symposium" and he is the editor of Révolutions Xenakis (Éditions de l’Œil – Philharmonie de Paris, 2022).
Cécile Sorin is currently Professor in the Department of Cinema at Université Paris 8. After having published books on practices of parody and pastiche in cinema (Pratiques de la parodie et du pastiche au cinéma, 2010) and Pasolinian pastiche (Pasolini, pastiche et mélange, 2017), she is currently examining processes of subjectivation in Pasolinian cinema and contemporary French cinema. Her recent work reassesses Pasolini’s work through the prism of ecopoetics. In addition, she is co-editor of the "Esthétiques hors cadre" series from Presses Universitaires de Vincennes.

Descriere

Arts, Ecologies, Transitions provides indepth insights into how aesthetic relations and current artistic practices are fundamentally ecological and intrinsically connected to the world. As art is created in a given historic temporality, it presents specific modalities of productive and sensory relations to the world.