Atatürk on Screen: Documentary Film and the Making of a Leader
Autor Dr Enis Dinçen Limba Engleză Paperback – 29 dec 2021
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Specificații
ISBN-13: 9780755646937
ISBN-10: 0755646932
Pagini: 256
Dimensiuni: 156 x 234 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom
ISBN-10: 0755646932
Pagini: 256
Dimensiuni: 156 x 234 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom
Caracteristici
Based on analysis of various film archives, many of which are little known, as well as letters, memoirs, newspapers, reports, newsletters and production files
Notă biografică
Enis Dinç is an Assistant Professor of Media and Cultural Studies at the Turkish-German University in Istanbul, Turkey. He completed his PhD at the Amsterdam School for Cultural Analysis (ASCA), University of Amsterdam, The Netherlands. Between 2014 and 2015, he was a visiting researcher in the Near Eastern Studies Department at Princeton University, USA.
Cuprins
Acknowledgements Introduction Chapter 1: Early Cinema in the Ottoman EmpireChapter 2: Filming the Struggle for Independence (1919-1923) Chapter 3: Performing Modernity: The Film of Mustafa Kemal Atatürk on his Forest FarmChapter 4: How to Impress an American: The Power of the Motion PictureChapter 5: Father of All Turks: How the March of Time newsreel series represented AtatürkEpilogueBibliography
Recenzii
Atatürk on Screenis the first book worldwide on the evolution of the public image of Mustafa Kemal Atatürk, the founder of modern Turkey. This well-crafted study also helps us better understand the complex and eclectic early Republican program of state formation, nation-building, and Westernization.
This highly original study, based on unique sources, relates the history of early Turkish cinema to the public self-styling of Atatürk, thus interrogating the foundational myth of modern Turkey.
This highly original study, based on unique sources, relates the history of early Turkish cinema to the public self-styling of Atatürk, thus interrogating the foundational myth of modern Turkey.