Audience as Performer: The changing role of theatre audiences in the twenty-first century
Autor Caroline Heimen Limba Engleză Hardback – 12 aug 2015
Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience as a performance in and of itself.
This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions, and considers the following questions:
- If the audience are performers, who are their audiences?
- How have audiences’ roles changed throughout history?
- How do talkbacks and technology influence the audience’s role as critics?
- What influence does the audience have on the creation of community in theatre?
- How can the audience function as both consumer and co-creator?
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Specificații
ISBN-13: 9781138796911
ISBN-10: 1138796913
Pagini: 200
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.43 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138796913
Pagini: 200
Dimensiuni: 156 x 234 x 15 mm
Greutate: 0.43 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and UndergraduateCuprins
Contents
Acknowledgements
Introduction
PART I: AUDIENCE PERFORMANCE
CHAPTER ONE Audience as Performer
CHAPTER TWO Stage Etiquette (1800-1880)
CHAPTER THREE Theatre Etiquette (1880-2000)
PART II: CONTEMPORARY AUDIENCE PERFORMANCE
Introduction to Part II
CHAPTER FOUR Audience as Critic
CHAPTER FIVE Audience as Community
CHAPTER SIX Audience as Consumer
CHAPTER SEVEN Audience as Co-creator
Conclusion New Possibilities
List of Contributors
Appendix 1
Appendix 2
Index
Acknowledgements
Introduction
PART I: AUDIENCE PERFORMANCE
CHAPTER ONE Audience as Performer
CHAPTER TWO Stage Etiquette (1800-1880)
CHAPTER THREE Theatre Etiquette (1880-2000)
PART II: CONTEMPORARY AUDIENCE PERFORMANCE
Introduction to Part II
CHAPTER FOUR Audience as Critic
CHAPTER FIVE Audience as Community
CHAPTER SIX Audience as Consumer
CHAPTER SEVEN Audience as Co-creator
Conclusion New Possibilities
List of Contributors
Appendix 1
Appendix 2
Index
Notă biografică
Caroline Heim is Lecturer in Drama at Queensland University of Technology. Previous to entering academia she worked as a professional actor on New York and other US stages winning a Drama League Award.
Recenzii
"Heim's succinct, accessible volume serves as an important contribution to the ever-growing scholarly field investigating audiences in relation to theatrical performance. Highly Recommended."
- Choice Magazine
"An invaluable text for classes and scholars in theatre history, criticism, and practice."
- Theatre Topics
"Takes the research and understanding of the active role/s of audiences and the people in them to a new level of understanding and recognition."
- Australasian Drama Studies
- Choice Magazine
"An invaluable text for classes and scholars in theatre history, criticism, and practice."
- Theatre Topics
"Takes the research and understanding of the active role/s of audiences and the people in them to a new level of understanding and recognition."
- Australasian Drama Studies
Descriere
Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience as a performance in and of itself. This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions.