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Authoring Performance: The Director in Contemporary Theatre de A. Sidiropoulou

Authoring Performance: The Director in Contemporary Theatre: What is Theatre?

Autor A. Sidiropoulou
en Limba Engleză Paperback – 16 noi 2011
A historical, theoretical, and comparative study of the emergence of the director-as-author phenomenon, posing questions of authorship and redefining the relationship between 'playwright' and the director-playwright.
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Specificații

ISBN-13: 9781349298402
ISBN-10: 1349298409
Pagini: 217
Ilustrații: X, 217 p.
Dimensiuni: 140 x 216 x 12 mm
Greutate: 0.27 kg
Ediția:1st ed. 2011
Editura: Palgrave Macmillan US
Colecția Palgrave Macmillan
Seria What is Theatre?

Locul publicării:New York, United States

Cuprins

Introduction: Auteurism: A New Theatre for a Changed Perception of the World   The Rise of the Modern Auteur  Artaud and his Legacy  Beckett's Later Drama   Auteur Practice  Languages of the Stage: The Means to an End  Authorship and Authority: The Conquest of the Text

Recenzii

"A fresh perspective on the impact of Jarry, Craig, Appia, Wagner, and Stein, among others, on present praxis. . . Part of Palgrave Macmillan's 'What Is Theatre?' series, this book is a must read for those interested in both a theoretical and 'practice-related context in which to examine and evaluate' the contemporary theater director-auteur. Summing Up: Highly recommended. Upper-division undergraduates through faculty and professionals." - CHOICE
"The writing is fast paced and engaging. In its brevity, but also by the frequent recasting of the key arguments in fresh language, Sidiropoulou instructs even as she delights. This work should go a long way toward re-opening the American student mind." - Stavros Deligiorgis, Professor Emeritus of Comparative Literature, University of Iowa, USA

Notă biografică

Avra Sidiropoulou is Lecturer at the graduate Theatre Studies program of the Open University of Cyprus.

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A historical, theoretical, and comparative study of the emergence of the director-as-author phenomenon, posing questions of authorship and redefining the relationship between 'playwright' and the director-playwright.