Authoring the Self: Self-Representation, Authorship, and the Print Market in British Poetry from Pope through Wordsworth: Literary Criticism and Cultural Theory
Autor Scott Hessen Limba Engleză Hardback – 2005
Arguing for continuity between eighteenth-century literature and the rise of Romanticism, this groundbreaking book traces the influence of new print market conditions on the development of the Romantic poetic self.
Din seria Literary Criticism and Cultural Theory
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Specificații
ISBN-13: 9780415971287
ISBN-10: 0415971284
Pagini: 404
Dimensiuni: 152 x 229 x 26 mm
Greutate: 0.68 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Literary Criticism and Cultural Theory
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415971284
Pagini: 404
Dimensiuni: 152 x 229 x 26 mm
Greutate: 0.68 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Literary Criticism and Cultural Theory
Locul publicării:Oxford, United Kingdom
Notă biografică
Scott Hess is Assistant Professor of English at Earlham College, where he also teaches Environmental Studies courses. He has published essays on Romantic and eighteenth-century literature, print culture, authorship, and the environment in Nineteenth Century Studies, The Age of Johnson, European Romantic Review, and International Studies in Literature and Environment.
Cuprins
Introduction Chapter 1: The Eighteenth- and Early-Nineteenth-Century British Print Market, the Author, and Romantic Hermeneutics Chapter 2: Books and the Man I Sing: Alexander Pope, Print Culture, and Authorical Self-Making Chapter 3: Thomas Gray and the Elegy : Ambivalent Authorship and Uncertain Self Chapter 4: James Beattie's Minstrel and the Displace Authorial Self Chapter 5: William Cowper: The Accidental Poet and the Emerging Self Chapter 6: The Mariner as Author and the Wedding Guest as Reader: The Rime of the Ancyent Marinere as a Dramatization of Print Circulation and the Construction of Authorial Identity Chapter 7: Wordsworth's Epitaphic Poetics, Authorial Self-Representation, and the Print Market Chapter 8: Wordsworth and the Authorial Self