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Avant-Garde Art and Non-Dominant Thought in Postwar Japan: Image, Matter, Separation: Routledge Contemporary Japan Series

Autor K. Yoshida
en Limba Engleză Paperback – 30 mai 2022
This book offers a reassessment of how "matter" – in the context of art history, criticism, and architecture – pursued a radical definition of "multiplicity", against the dominant and hierarchical tendencies underwriting post-fascist Japan.
Through theoretical analysis of works by artists and critics such as Okamoto Taro, Hanada Kiyoteru, Kawara On, Isozaki Arata, Kawaguchi Tatsuo, and Nakahira Takuma, this highly illustrated text identifies formal oppositions frequently evoked in the Japanese avant-garde, between cognition and image, self and other, human and thing, and one and many, in mediums ranging from painting and photography, to sculpture and architecture. In addition to an "aesthetics of separation" which refuses the integrationist implications of the human, the author proposes the "anthropofugal" – meaning fleeing the human – as an original concept through which to understand matter in the epistemic universe of the postwar Japanese avant-garde. Chapters in this publication offer critical insights into how artists and critics grounded their work in active disengagement, to advance an ethics of nondominance.
Avant-Garde Art and Nondominant Thought in Postwar Japan will appeal to students and scholars of Japanese studies, art history, and visual cultures more widely.
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Specificații

ISBN-13: 9780367617967
ISBN-10: 036761796X
Pagini: 256
Ilustrații: 30 Halftones, black and white; 30 Illustrations, black and white
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.34 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Contemporary Japan Series

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate Advanced

Cuprins

1. On Severance  2. Fugitive Matter  3. Anthropofugal Transformations  4. Modular Concrescence  5. Clandestine Resphiliacs  6. Architecture and Ignorance  7. An Infinite Periphery  8. Toward Irrelation

Notă biografică

K. Yoshida is Assistant Professor of Art History and Visual Studies at the Department of Global Arts, Media, and Writing at the University of California, Merced.

Descriere

This book offers a reassessment of how "matter" – in the context of art history, criticism and architecture – pursued a radical definition of "multiplicity", against the dominant and hierarchical tendencies underwriting post-fascist Japan.