Avengers Assemble! – Critical Perspectives on the Marvel Cinematic Universe
Autor Terence McSweeneyen Limba Engleză Paperback – 17 mai 2018
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Specificații
ISBN-13: 9780231186254
ISBN-10: 0231186258
Pagini: 310
Dimensiuni: 155 x 232 x 23 mm
Greutate: 0.45 kg
Editura: Columbia University Press
ISBN-10: 0231186258
Pagini: 310
Dimensiuni: 155 x 232 x 23 mm
Greutate: 0.45 kg
Editura: Columbia University Press
Notă biografică
Terence McSweeney is senior lecturer in Media Arts and Technology at Southampton Solent University. He is the author of The War on Terror and American Film: 9/11 Frames per Second' (Edinburgh University Press, 2014), Beyond the Frame: The Films and Film Theory of Andrei Tarkovsky (Aporetic Press, 2015) and the co-editor of Millennial Cinema: Memory in Global Film (Wallflower, 2012).
Cuprins
Acknowledgements
Prologue: The Heroes We Need Right Now?: Explaining `The Age of the Superhero¿
Introduction: Superheroes in the New Millennium and `The Example of Americä
PHASE ONE
1. `That¿s how Dad did it, that¿s how America does it ¿ and it¿s worked out pretty well so far¿: The Stark Doctrine in Iron Man and Iron Man 2
2. Allegorical Narratives of Gods and Monsters: Thor and The Incredible Hulk
3. State Fantasy and the Superhero: (Mis)Remembering World War II in Captain America: The First Avenger
4. `Seeing ¿ still working on believing!¿: The Ethics and Aesthetics of Destruction in The Avengers
PHASE TWO
5. `Nothing¿s been the same since New York¿: Ideological Continuity and Change in Iron Man 3 and Thor: The Dark World
6. `The world has changed and none of us can go back¿: The Illusory Moral Ambiguities of the Post-9/11 Superhero in Captain America: The Winter Soldier
7. Blurring the Boundaries of Genre and Gender in Guardians of the Galaxy and Ant-Man
8. `Isn¿t that why we fight? So we can end the fight and go home?¿: The Enduring American Monomyth in Avengers: Age of Ultron
THE MARVEL CINEMATIC UNIVERSE ON TELEVISION
9. `What does S.H.I.E.L.D. stand for?¿: The MCU on the Small Screen in Marvel¿s Agents of S.H.I.E.L.D. and Marvel¿s Agent Carter
10. The Necessary Vigilantism of the Defenders: Daredevil, Jessica Jones, Luke Cage and Iron Fist
Conclusion: `Whose side are you on?¿: Superheroes Through the Prism of the `War on Terror¿ in Captain America: Civil War
Epilogue: The Superhero as Transnational Icon
Filmography
Bibliography
Index
Prologue: The Heroes We Need Right Now?: Explaining `The Age of the Superhero¿
Introduction: Superheroes in the New Millennium and `The Example of Americä
PHASE ONE
1. `That¿s how Dad did it, that¿s how America does it ¿ and it¿s worked out pretty well so far¿: The Stark Doctrine in Iron Man and Iron Man 2
2. Allegorical Narratives of Gods and Monsters: Thor and The Incredible Hulk
3. State Fantasy and the Superhero: (Mis)Remembering World War II in Captain America: The First Avenger
4. `Seeing ¿ still working on believing!¿: The Ethics and Aesthetics of Destruction in The Avengers
PHASE TWO
5. `Nothing¿s been the same since New York¿: Ideological Continuity and Change in Iron Man 3 and Thor: The Dark World
6. `The world has changed and none of us can go back¿: The Illusory Moral Ambiguities of the Post-9/11 Superhero in Captain America: The Winter Soldier
7. Blurring the Boundaries of Genre and Gender in Guardians of the Galaxy and Ant-Man
8. `Isn¿t that why we fight? So we can end the fight and go home?¿: The Enduring American Monomyth in Avengers: Age of Ultron
THE MARVEL CINEMATIC UNIVERSE ON TELEVISION
9. `What does S.H.I.E.L.D. stand for?¿: The MCU on the Small Screen in Marvel¿s Agents of S.H.I.E.L.D. and Marvel¿s Agent Carter
10. The Necessary Vigilantism of the Defenders: Daredevil, Jessica Jones, Luke Cage and Iron Fist
Conclusion: `Whose side are you on?¿: Superheroes Through the Prism of the `War on Terror¿ in Captain America: Civil War
Epilogue: The Superhero as Transnational Icon
Filmography
Bibliography
Index
Descriere
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Avengers Assemble! explores the cinematic and televisual branches of the Marvel Cinematic Universe from a diverse range of critical perspectives. Beginning with Iron Man, the book considers them both as embodiments of the changing blockbuster film and as affective cultural artifacts that are immersed in the turbulent political climate of their era.
Avengers Assemble! explores the cinematic and televisual branches of the Marvel Cinematic Universe from a diverse range of critical perspectives. Beginning with Iron Man, the book considers them both as embodiments of the changing blockbuster film and as affective cultural artifacts that are immersed in the turbulent political climate of their era.