Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School: Visual Cultures and German Contexts
Editat de Elizabeth Otto, Patrick Rössleren Limba Engleză Paperback – 23 ian 2019
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Specificații
ISBN-13: 9781501344787
ISBN-10: 1501344781
Pagini: 392
Ilustrații: 12 colour and 110 bw illus and 5 tables
Dimensiuni: 152 x 229 x 27 mm
Greutate: 0.69 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria Visual Cultures and German Contexts
Locul publicării:New York, United States
ISBN-10: 1501344781
Pagini: 392
Ilustrații: 12 colour and 110 bw illus and 5 tables
Dimensiuni: 152 x 229 x 27 mm
Greutate: 0.69 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Seria Visual Cultures and German Contexts
Locul publicării:New York, United States
Caracteristici
Gives a profoundly new take on the Bauhaus-one of the most influential modern art movements and art pedagogical institutions-as not just significant for its art, architecture, and design, but for its modern ways of understanding the body and life.
Notă biografică
Elizabeth Otto is a professor of modern and contemporary art history at The State University of New York at Buffalo. She has published widely on gender issues in Germany's visual culture of the 1920s and 1930s, especially at the Bauhaus. Patrick Rössler is a professor of communications and empirical research methods at the University of Erfurt, Germany. His research has concentrated on media effects, political communication, and the history of visual communication, including Bauhaus graphic design and advertising.
Cuprins
List of ImagesIntroduction: Embodying the Bauhaus Elizabeth Otto (University at Buffalo, State University of New York, USA) Part I: The Bauhaus in Weimar and Beyond: Gendered Bodies and the Search for Utopia 1. Soft Skills and Hard Facts: A Systematic Overview of Bauhaus Women's Presence and Roles Patrick Rössler and Anke Blümm (Bauhaus Museum, Germany)2. Bodies Drilled in Freedom: Nudity, Body Culture, and Classical Gymnastics at the Weimar BauhausUte Ackermann (Bauhaus Museum, Germany)3. The Spiritual Enhancement of the Body: Johannes Itten, Gertrud Grunow, and Mazdaznan at the Early BauhausLinn Burchert (Humboldt University, Germany)4. Utopias of a New Society: Lucia Moholy, László Moholy-Nagy, and the Loheland and Schwarzerden Women's CommunesSandra Neugärtner (Harvard University Graduate School of Arts and Science, USA)5. Invisible Bodies and Empty Spaces: Notes on Gender at the 1923 Bauhaus ExhibitionPaul Monty Paret (University of Utah, USA)Part II: A New Unity? Technologies and Techniques of Gender6. Clothing Bauhaus BodiesKathleen James-Chakraborty (University College Dublin, Ireland)7. Paul Klee and the New Woman Dancer: Gret Palucca, Karla Grosch, and the Gendering of ConstructivismSusan Funkenstein (University of Michigan, USA)8. Ise Gropius: "Everyone Here Calls me 'Frau Bauhaus'!"Mercedes Valdivieso (University of Lleida, Spain)9. Dörte Helm, Margaret Leiteritz, and Lou Scheper-Berkenkamp: Rare Women of the Bauhaus Wall-Painting WorkshopMorgan Ridler (Montclair State University and Westchester Community College, USA)10. Androgyny in Oskar Schlemmer's Figural ArtDeborah Ascher Barnstone (University of Technology Sydney, Australia) Part III: Identities and Ideologies in Bauhaus Photography and New Media 11. Disorder or Subordination? On Gender Relations in Bauhaus PhotographsBurcu Dogramaci (Ludwig Maximilian University of Munich, Germany)12. Bauhaus Double PortraitsKaren Koehler (Hampshire College, USA)13. "A School for Becoming Human": The Socialist Humanism of Irene Blühová's Bauhaus PhotographsJulia Secklehner (Courtauld Institute of Art in London, UK)14. Marcel Breuer and the Theatrical InteriorJordan Troeller (Harvard University, USA)List of ContributorsIndex
Recenzii
[Bauhaus Bodies] presents us with a picture of the Bauhaus that is anything but remote.
Bauhaus Bodies addresses gender issues more broadly, with fourteen essays by established and newer scholars on body culture, spirituality, dance, androgyny, clothing, experimental photography, and the unsung contributions of Bauhaus wives and female wall painters.
Whether for their subsequently unrecognized collaborations with husbands or their seemingly unseen service labor, women shaped Bauhaus aesthetics and are still less known than the men even today. [This] anthology examines the famous architecture and design school beyond its lily-white reputation.
Dispensing with the usual focus on a monolithic school and its leaders, this collection will prove an indispensable resource for investigating the Bauhaus' immediate social impact, historical context, and far-reaching historical implications.
Bauhaus Bodies provides a remarkable contribution to our understanding of the Bauhaus and its community by tackling a vital set of issues surrounding the body, gender, and sexuality in modernism. Offering cutting-edge research and exceptional insight, this collection of essays brings together wide-ranging materials across a series of topics related to the politics and cultures of the body, explicating the Bauhaus in greater depth and with compelling nuance. Illustrating the crucial role of embodied experience and new experiments in living, Bauhaus Bodies is an indispensable guide to the school's wider impact on society, the arts, identity, body politics, health and physical culture, movement and space, and in many other social and cultural spheres.
What role did the body play at the Bauhaus? The essays in this volume offer answers to that question by offering a panorama of perspectives, from Ise Gropius to the known and unknown female students at the school. The body and gender played definitive roles in an institution that was largely run by men and notions of 'rationalized modernism'. This is the first anthology to demonstrate how one-sided that latter perspective is, which it does by uncovering a number of previously overlooked aspects, such as the role of gymnastics in the school's foundation course and the instrumental role played by Ise Gropius in the everyday administration of the institution.
Bauhaus Bodies addresses gender issues more broadly, with fourteen essays by established and newer scholars on body culture, spirituality, dance, androgyny, clothing, experimental photography, and the unsung contributions of Bauhaus wives and female wall painters.
Whether for their subsequently unrecognized collaborations with husbands or their seemingly unseen service labor, women shaped Bauhaus aesthetics and are still less known than the men even today. [This] anthology examines the famous architecture and design school beyond its lily-white reputation.
Dispensing with the usual focus on a monolithic school and its leaders, this collection will prove an indispensable resource for investigating the Bauhaus' immediate social impact, historical context, and far-reaching historical implications.
Bauhaus Bodies provides a remarkable contribution to our understanding of the Bauhaus and its community by tackling a vital set of issues surrounding the body, gender, and sexuality in modernism. Offering cutting-edge research and exceptional insight, this collection of essays brings together wide-ranging materials across a series of topics related to the politics and cultures of the body, explicating the Bauhaus in greater depth and with compelling nuance. Illustrating the crucial role of embodied experience and new experiments in living, Bauhaus Bodies is an indispensable guide to the school's wider impact on society, the arts, identity, body politics, health and physical culture, movement and space, and in many other social and cultural spheres.
What role did the body play at the Bauhaus? The essays in this volume offer answers to that question by offering a panorama of perspectives, from Ise Gropius to the known and unknown female students at the school. The body and gender played definitive roles in an institution that was largely run by men and notions of 'rationalized modernism'. This is the first anthology to demonstrate how one-sided that latter perspective is, which it does by uncovering a number of previously overlooked aspects, such as the role of gymnastics in the school's foundation course and the instrumental role played by Ise Gropius in the everyday administration of the institution.