Bee Gees, Process and Latent Elements in Music Production: Ashgate Popular and Folk Music Series
Autor Pat O’Gradyen Limba Engleză Hardback – 26 noi 2024
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Specificații
ISBN-13: 9781032412290
ISBN-10: 1032412291
Pagini: 154
Dimensiuni: 156 x 234 mm
Greutate: 0.44 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Ashgate Popular and Folk Music Series
Locul publicării:Oxford, United Kingdom
ISBN-10: 1032412291
Pagini: 154
Dimensiuni: 156 x 234 mm
Greutate: 0.44 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Ashgate Popular and Folk Music Series
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate and Undergraduate AdvancedCuprins
Preface
Introduction
Chapter 1: ‘Spicks and Specks:’ Finding Latent Elements in Music Production
Chapter 2: ‘New York Mining Disaster 1941:’ Reverb and Space as Latent Elements in Music Production
Chapter 3: ‘How Can You Mend A Broken Heart’: Meaning as a Latent Element in Music Production
Chapter 4: ‘Jive Talkin:’ Place as a Latent Element in Music Production
Chapter 5: ‘Stayin’ Alive’: Looping as a Latent Element in Music Production
Chapter 6: ‘Tragedy’: Nonsense Lyrics as a Latent Element of Music Production
Chapter 7: ‘Guilty’: Vocality as a Latent Element in Music Production
Chapter 8: ‘You Win Again’: Composite Layering as Latent Elements in Music Production
Chapter 9: ‘Still Waters Run Deep:’ Guitar Tuning and Voicing as Latent Elements in Music Production
Conclusions: Future Directions for Studying Latent Elements in Music Production
Bibliography
Discography
Index
Introduction
Chapter 1: ‘Spicks and Specks:’ Finding Latent Elements in Music Production
Chapter 2: ‘New York Mining Disaster 1941:’ Reverb and Space as Latent Elements in Music Production
Chapter 3: ‘How Can You Mend A Broken Heart’: Meaning as a Latent Element in Music Production
Chapter 4: ‘Jive Talkin:’ Place as a Latent Element in Music Production
Chapter 5: ‘Stayin’ Alive’: Looping as a Latent Element in Music Production
Chapter 6: ‘Tragedy’: Nonsense Lyrics as a Latent Element of Music Production
Chapter 7: ‘Guilty’: Vocality as a Latent Element in Music Production
Chapter 8: ‘You Win Again’: Composite Layering as Latent Elements in Music Production
Chapter 9: ‘Still Waters Run Deep:’ Guitar Tuning and Voicing as Latent Elements in Music Production
Conclusions: Future Directions for Studying Latent Elements in Music Production
Bibliography
Discography
Index
Notă biografică
Pat O’Grady is a contemporary music researcher, educator, and practitioner, specializing in music production. He is a lecturer in music technology at the Australian National University. He has two decades of professional experience in producing and performing contemporary music. He is the current treasurer of the Australian/New Zealand branch of the International Association for the Study of Popular Music.
Descriere
This book examines the creative process of the Bee Gees and the latent elements that shaped their sound. It is a must-read book for music production academics and students, as well as anyone interested in the Bee Gees' creative process.