The Musical Traditions of Northern Ireland and its Diaspora: Community and Conflict: Ashgate Popular and Folk Music Series
Autor David Cooperen Limba Engleză Hardback – 28 iul 2009
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 405.04 lei 6-8 săpt. | |
Taylor & Francis – 28 iul 2010 | 405.04 lei 6-8 săpt. | |
Hardback (1) | 980.00 lei 6-8 săpt. | |
Taylor & Francis – 28 iul 2009 | 980.00 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780754662303
ISBN-10: 0754662306
Pagini: 202
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Ashgate Popular and Folk Music Series
Locul publicării:Oxford, United Kingdom
ISBN-10: 0754662306
Pagini: 202
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Ashgate Popular and Folk Music Series
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: Introduction; The geographical, historical and social construction of Northern Ireland; Song sources, traditions and ideologies; Performance practices in Northern Ireland; The process of collection, transcription and transmission; Music of the Northern Irish diaspora in America; Bibliography; Index.
Recenzii
’Cooper's excellent book offers a timely investigation of the contrary point, purpose and political appropriation of music by Northern Irish Catholics and Protestants alike, both sharing a common heritage that each side bent to their own factional interests. ... Cooper writes with intelligence and insight to tease open a history whose story is only just beginning to be told.’ 4 stars, Songlines ’... [a] groundbreaking and provocative work of scholarship.’ Popular Music 'Cooper highlights the intermingling of Scottish, English, and Irish music and song, the syntheses of oral and literary traditions, the variegated repertory of musicians and singers, the impact of different instruments on musical style and structure, and the importance of regional and local variations.' Music and Letters
Descriere
Northern Ireland remains a divided community in which traditional culture, in all its manifestations, is widely understood as a marker of religious affiliation and ethnic identity. Since the outbreak of the most recent 'troubles' around 1968, the borders between the communities have often been marked by music. With the increasing espousal of a discrete Ulster Scots tradition since the signing of the Belfast (or 'Good Friday') Agreement in 1998, the characteristics of the traditional music performed in Northern Ireland, and the place of Protestant musicians within popular Irish culture, clearly require a more thoroughgoing analysis. David Cooper's book provides such analysis, as well as ethnographic and ethnomusicological studies of a group of traditional musicians from County Antrim. In particular, the book offers a consideration of the cultural dynamics of Northern Ireland with respect to traditional music.
Notă biografică
David Cooper, Professor of Music and Technology in the School of Music and Dean of the Faculty of Performance, Visual Arts and Communications, University of Leeds.