Ben Jonson and Theatre: Performance, Practice and Theory
Editat de Richard Cave, Elizabeth Schafer, Brian Woollanden Limba Engleză Hardback – 28 ian 1999
* discussions with and between practitioners
* essays on the staging of the plays
* edited transcripts of interviews with contemporary practitioners
The volume includes contributions from Joan Littlewood, Sam Mendes, John Nettles, Simon Russell Beale and Geoffrey Rush, Oscar-winning actor for Shine.
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Taylor & Francis – 28 ian 1999 | 765.04 lei 43-57 zile |
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Specificații
ISBN-13: 9780415179805
ISBN-10: 0415179807
Pagini: 240
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.57 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415179807
Pagini: 240
Dimensiuni: 156 x 234 x 21 mm
Greutate: 0.57 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Public țintă
Professional and UndergraduateRecenzii
'would suit advanced undergraduate or postgraduate students' - Gabriel Egan
'It will be useful to students and lecturers looking for ways into the works of Jonson, and particularly to those wishing to focus on questions of performance. And, very importantly, it gives a sense of the energy and outrageousness locked up in his texts.' - Lisa Hopkins, Early Modern Literary Studies
'It will be useful to students and lecturers looking for ways into the works of Jonson, and particularly to those wishing to focus on questions of performance. And, very importantly, it gives a sense of the energy and outrageousness locked up in his texts.' - Lisa Hopkins, Early Modern Literary Studies
Notă biografică
Richard Cave, Elizabeth Schafer, Brian Woolland
Cuprins
List of illustrations, Notes on contributors, Acknowledgements, Preface, Induction, PART I Ben Jonson and the theatre (as it is and as it might be), Interlude I Sam Mendes talks to Brian Woolland, PART II Working with Jonson, Interlude II Genista McIntosh: Casting and marketing Jonson, PART III Marginalised Jonsons, Bibliography
Descriere
Looks at the Jonson canon from the point of view of the theatre practitioner. It bridges the theory/practice divide by debating how his drama operates in performance and includes discussion with and between practitioners.