Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert: Oxford Studies in Recorded Jazz
Autor Catherine Tackleyen Limba Engleză Paperback – 10 ian 2013
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Specificații
ISBN-13: 9780195398311
ISBN-10: 0195398319
Pagini: 248
Dimensiuni: 140 x 208 x 15 mm
Greutate: 0.23 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Oxford Studies in Recorded Jazz
Locul publicării:New York, United States
ISBN-10: 0195398319
Pagini: 248
Dimensiuni: 140 x 208 x 15 mm
Greutate: 0.23 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Oxford Studies in Recorded Jazz
Locul publicării:New York, United States
Recenzii
Tackley is an especially goof researcher and it is unlikely one will find any related subject matter not covered thoroughly here.
Tackley's book attempts to do more than just relate the details of the concert; instead, she seeks to place the event among larger contexts, from the use of recordings as a basis for canonisation to embodiment of the musical past ... All will be inspired to obtain the recordings, not only of the concert itself, but also of the multitude of rich sonic evidence that Tackley cites from Goodman as well as his swing ear compatriots
It is the evidently joyous combination of enthusiasm, scholarly discipline and musical expertise that makes this contribution to the Oxford Studies in Recorded Jazz intriguing for the analyst, particularly companionable for those of us who have grown up with this landmark recording (not released until 1950) and an entertaining narrative for the general reader interested in the place of jazz in American culture.
a thoroughly researched, scholarly work ... For students of jazz history and those interested in the Goodman swing era, this will be a welcome arrival.
the meat of the volume is the central track-by-track breakdown of the music programme ... Tackley writes compellingly.
Only the fourth book in the "Oxford Studies in Recorded Jazz" series, Tackley's work joins the previous three entries as a distinguished contribution to the literature ... there should be a broad audience for this volume ... Highly recommended. All readers.
Tackley's book attempts to do more than just relate the details of the concert; instead, she seeks to place the event among larger contexts, from the use of recordings as a basis for canonisation to embodiment of the musical past ... All will be inspired to obtain the recordings, not only of the concert itself, but also of the multitude of rich sonic evidence that Tackley cites from Goodman as well as his swing ear compatriots
It is the evidently joyous combination of enthusiasm, scholarly discipline and musical expertise that makes this contribution to the Oxford Studies in Recorded Jazz intriguing for the analyst, particularly companionable for those of us who have grown up with this landmark recording (not released until 1950) and an entertaining narrative for the general reader interested in the place of jazz in American culture.
a thoroughly researched, scholarly work ... For students of jazz history and those interested in the Goodman swing era, this will be a welcome arrival.
the meat of the volume is the central track-by-track breakdown of the music programme ... Tackley writes compellingly.
Only the fourth book in the "Oxford Studies in Recorded Jazz" series, Tackley's work joins the previous three entries as a distinguished contribution to the literature ... there should be a broad audience for this volume ... Highly recommended. All readers.
Notă biografică
Catherine Tackley is Senior Lecturer in Music at The Open University, UK. Her first book, The Evolution of Jazz in Britain, 1880-1935, was published in 2005. In 2006-7 Catherine was Visiting Edison Fellow at the British Library National Sound Archive, and in 2009-11 was co-investigator on the AHRC-funded project 'What is Black British Jazz?' She is a co-editor of the Jazz Research Journal (Equinox). Catherine is currently Director of Dr Jazz and the Cheshire Cats Big Band.