Beyond Scenography
Autor Rachel Hannen Limba Engleză Paperback – aug 2018
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 201.31 lei 6-8 săpt. | +61.22 lei 6-12 zile |
Taylor & Francis – aug 2018 | 201.31 lei 6-8 săpt. | +61.22 lei 6-12 zile |
Hardback (1) | 759.80 lei 6-8 săpt. | |
Taylor & Francis – 31 iul 2018 | 759.80 lei 6-8 săpt. |
Preț: 201.31 lei
Preț vechi: 281.57 lei
-29% Nou
38.53€ • 40.65$ • 32.11£
Carte tipărită la comandă
Livrare economică 02-16 ianuarie 25
Livrare express 27 noiembrie-03 decembrie pentru 71.21 lei
Specificații
ISBN-10: 1138785067
Pagini: 164
Dimensiuni: 219 x 276 x 12 mm
Greutate: 0.48 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Cuprins
Acknowledgments
Introduction
Scenography as theatre-making
Theatre after cinema
Scenography after performance
Chapter outline
Chapter 1: Place Orientation, Scenic Politics and Scenographics
Scenes and Scenic Politics
Scenographics
Othering Tactics
Chapter 2: Scenography and the Anglophone theatres
The first adoption of scenography
Continental differences pre-1960
The second adoption of scenography
Sound and costume as scenography
Chapter 3: Scenography beyond scenographers
Mise en scène and scenography
Whose scenography?
Beyond dramaturgy and choreography
Expanded scene design?
Chapter 4: Scenography Happens
The time of scenography
Scenography is not set
Geckös MISSING set
Chapter 5: Scenographic Worlding
Stage Geographies
Stage Ideologies
Scenography beyond stages?
Stage-Scenes beyond vision
Chapter 6: Scenographic Cultures
Installation Art and Scenographic Scale
Interior Design and Scenographic Behaviours
Marketing and Scenographic Seduction
Gardening and Scenographic Curation
Protest and Scenographic Activism
Chapter 7: Scenographic Architecture
Fast Architecture
Trompe l'oeil and Scenographic Propaganda
Potemkin Villages and Scenographic Placemaking
Conclusion
Notă biografică
Dr. Rachel Hann is Lecturer in Scenography, University of Surrey, UK.
Recenzii
Astrid von Rosen, University of Gothenburg, Theatre and Performance Design, 7:3-4, 240-241, DOI: 10.1080/23322551.2021.2003155