Big Deal: Bob Fosse and Dance in the American Musical: Broadway Legacies
Autor Kevin Winkleren Limba Engleză Hardback – 30 mai 2018
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 174.83 lei 32-37 zile | |
Oxford University Press – 29 ian 2020 | 174.83 lei 32-37 zile | |
Hardback (1) | 202.82 lei 32-37 zile | |
Oxford University Press – 30 mai 2018 | 202.82 lei 32-37 zile |
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Specificații
ISBN-13: 9780199336791
ISBN-10: 0199336792
Pagini: 370
Ilustrații: 37 photographs
Dimensiuni: 157 x 236 x 31 mm
Greutate: 0.66 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Broadway Legacies
Locul publicării:New York, United States
ISBN-10: 0199336792
Pagini: 370
Ilustrații: 37 photographs
Dimensiuni: 157 x 236 x 31 mm
Greutate: 0.66 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Broadway Legacies
Locul publicării:New York, United States
Recenzii
A fascinating and well-researched book...Essential.
This book will be helpful to students, researchers, and educators seeking to trace the historical chronology of choreographers into director-choreographers.
This is the real deal. An impeccably researched, thoroughly entertaining examination of Fosses life, legacy, and all that jazz.
Having worked with and been fortunate to be trained by some truly great choreographers/directorsJerome Robbins, Michael Kidd, Peter Gennaro, Gower ChampionI could not have been luckier to learn yet another great style, Bob Fosses. A style never explored before: sex appeal, innocence and humor in minimal movements. He himself was a great dancer, one who could dance all styles. In Sweet Charity his choreography ranged from explosive to controlled, precise, focused, tiny movements. People have a tendency to speak of the Fosse Style as only small movements, but he had a wide range that fit his directorial talents. It has been rewarding to learn from Bobby through the years. He is one of a kind, and this book says it all.
A model for how to approach a biography-history of a dancemaker. Patiently, without edge or vulgarity or hype of any sort, the book focuses on Fosse's careertechnical details, influences, process, and ideals intactand it relates Fosse's life honestly yet with full relevance to the work. Furthermore, the larger context of the subtitle is honored as well, in full. It reads as if written with the collaboration of everyone in Fosse's world, including his critics, historians, and audiences. Kevin Winkler's achievement is a Big Deal, indeed.
This book will be helpful to students, researchers, and educators seeking to trace the historical chronology of choreographers into director-choreographers.
This is the real deal. An impeccably researched, thoroughly entertaining examination of Fosses life, legacy, and all that jazz.
Having worked with and been fortunate to be trained by some truly great choreographers/directorsJerome Robbins, Michael Kidd, Peter Gennaro, Gower ChampionI could not have been luckier to learn yet another great style, Bob Fosses. A style never explored before: sex appeal, innocence and humor in minimal movements. He himself was a great dancer, one who could dance all styles. In Sweet Charity his choreography ranged from explosive to controlled, precise, focused, tiny movements. People have a tendency to speak of the Fosse Style as only small movements, but he had a wide range that fit his directorial talents. It has been rewarding to learn from Bobby through the years. He is one of a kind, and this book says it all.
A model for how to approach a biography-history of a dancemaker. Patiently, without edge or vulgarity or hype of any sort, the book focuses on Fosse's careertechnical details, influences, process, and ideals intactand it relates Fosse's life honestly yet with full relevance to the work. Furthermore, the larger context of the subtitle is honored as well, in full. It reads as if written with the collaboration of everyone in Fosse's world, including his critics, historians, and audiences. Kevin Winkler's achievement is a Big Deal, indeed.
Notă biografică
Kevin Winkler enjoyed a career of more than twenty years as a curator, archivist, and library administrator at the New York Public Library, prior to which he was a professional dancer. He has published articles and contributed to books on performing arts libraries and archives, LGBTQ performance, films, and dance. He blogs for the Huffington Post and is a MacDowell Colony fellow.