Blake's Drama: Theatre, Performance and Identity in the Illuminated Books
Autor Diane Piccittoen Limba Engleză Hardback – 25 iun 2014
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (1) | 372.44 lei 6-8 săpt. | |
Palgrave Macmillan UK – 2014 | 372.44 lei 6-8 săpt. | |
Hardback (1) | 381.41 lei 6-8 săpt. | |
Palgrave Macmillan UK – 25 iun 2014 | 381.41 lei 6-8 săpt. |
Preț: 381.41 lei
Nou
Puncte Express: 572
Preț estimativ în valută:
73.00€ • 76.09$ • 60.77£
73.00€ • 76.09$ • 60.77£
Carte tipărită la comandă
Livrare economică 06-20 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781137378002
ISBN-10: 113737800X
Pagini: 251
Ilustrații: VIII, 251 p.
Dimensiuni: 140 x 216 x 23 mm
Greutate: 0.52 kg
Ediția:2014
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
ISBN-10: 113737800X
Pagini: 251
Ilustrații: VIII, 251 p.
Dimensiuni: 140 x 216 x 23 mm
Greutate: 0.52 kg
Ediția:2014
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom
Cuprins
List of Illustrations List of Abbreviations Acknowledgements Introduction 1. The Theatre of the Illuminated Books 2. Spectatorial Entrances: Where Brechtian Alienation Meets Medieval Presence 3. Staging Urizen: The Melodrama of Identity Formation 4. The Performativity of Inspiration: Action and Identity in Milton Conclusion Bibliography Index
Recenzii
"This book will change the way we think about Blake. Diane Piccitto shows what happens when Blake's own vivid concept of 'Visionary Forms Dramatic' is taken seriously. She applies the idea of drama to Blake's illuminated books both historically and conceptually, drawing equal insight from the context of late eighteenth-century theatre and more unexpected comparisons such as the theories of Brecht and Stanislavsky, and the dramatic basis of Althusser's concept of interpellation. The interpretive results are impressive, especially in combination with Piccitto's own bright constellations of close reading. Her daring yet well founded arguments offer rich food for thought not only for Blakeans but also for those interested in the ongoing redefinition of Romantic drama, as well as larger issues of performance and identity, reader response, and the interactions of image and text." Tristanne Connolly, University of Waterloo, Canada
Notă biografică
Diane Piccitto holds a PhD from the University of Western Ontario. Before moving to London, UK, as an independent scholar, she was a Lecturer in the Department of English at the University of Zurich.