Blanchot and the Outside of Literature
Autor Dr William S. Allenen Limba Engleză Paperback – 29 apr 2020
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Specificații
ISBN-13: 9781501363030
ISBN-10: 1501363034
Pagini: 232
Dimensiuni: 152 x 229 x 17 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501363034
Pagini: 232
Dimensiuni: 152 x 229 x 17 mm
Greutate: 0.32 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Shows how Blanchot's perspective casts light on the relation of literature not just to philosophy, politics, and aesthetics but also to questions of phenomenology and psychology like alienation, skepticism, melancholy, sickness, nihilism, boredom, madness, and suicide
Notă biografică
William S. Allen (PhD, University at Warwick) is an independent researcher and a librarian at the University of Southampton, UK. He is the author of Ellipsis: Of Poetry and the Experience of Language after Heidegger, Hölderlin, and Blanchot (2007), Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (2016), and Without End: Sade's Critique of Reason (Bloomsbury, 2017).
Cuprins
Acknowledgements Abbreviations Introduction: The Two Slopes PART ONE: Contingency and Contagion1. Black Water 2. Sickness in Words 3. The Right to Death PART TWO: The Aporetic Imperative4. The Absolute Milieu 5. Unmade in Its Image6. White Noise 7. To Articulate the Void Afterword NotesIndex
Recenzii
Fascinating ... Allen shows throughout that a profound and rigorous engagement with Blanchot's enigmatic work can be as lucid as it is respectful of this work's density and difficulty.
In earlier books on Hölderlin and Heidegger, Adorno and Blanchot, and, more recently, the Marquis de Sade, William Allen has shown himself to be an exceptionally tough-minded, scrupulous, and resourceful commentator, given to elucidating some unusually challenging material with probing independence of view. This absorbing and thought-provoking new book is no different. Building on the arguments set out in Allen's previous volumes, it deploys a lucid and incisive intelligence in attending to the distinctive qualities of Blanchot's fictional and philosophical writings. It is a work all readers of modern philosophy and literature will ponder at length.
In earlier books on Hölderlin and Heidegger, Adorno and Blanchot, and, more recently, the Marquis de Sade, William Allen has shown himself to be an exceptionally tough-minded, scrupulous, and resourceful commentator, given to elucidating some unusually challenging material with probing independence of view. This absorbing and thought-provoking new book is no different. Building on the arguments set out in Allen's previous volumes, it deploys a lucid and incisive intelligence in attending to the distinctive qualities of Blanchot's fictional and philosophical writings. It is a work all readers of modern philosophy and literature will ponder at length.