Bleak House: BFI TV Classics
Autor Christine Geraghtyen Limba Engleză Paperback – 19 sep 2012
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Specificații
ISBN-13: 9781844574179
ISBN-10: 1844574172
Pagini: 139
Ilustrații: 53 colour photos
Dimensiuni: 135 x 190 x 10 mm
Greutate: 0.26 kg
Ediția:2012
Editura: British Film Institute
Colecția British Film Institute
Seria BFI TV Classics
Locul publicării:London, United Kingdom
ISBN-10: 1844574172
Pagini: 139
Ilustrații: 53 colour photos
Dimensiuni: 135 x 190 x 10 mm
Greutate: 0.26 kg
Ediția:2012
Editura: British Film Institute
Colecția British Film Institute
Seria BFI TV Classics
Locul publicării:London, United Kingdom
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Descriere
A
new
edition
to
our
BFI
TV
Classics
series,
this
analysis
of
BBC's
Bleak
House
aims
to
analyze
this
critically
acclaimed
production
in
terms
of
its
adaptation
status,
narrative
organization,
acting,
setting
and
mise-en-scene,
while
also
using
it
to
comment
on
more
general
issues
in
television
studies.
Cuprins
Acknowledgments.- Introduction:
Dickens
and
Television.- The
Classic
Serial.- Serialisation
and
Soaps.-
The Problem with Esther.- Narrative Organisation and the Double Story.- Characterisation and Performance.- Settings.- 'Illustrating' Bleak House.- Conclusion: Classic Television.- Notes.- Appendix: The Beginning and Ending of Each Episode.- Bibliography.- Credits.- Index.
The Problem with Esther.- Narrative Organisation and the Double Story.- Characterisation and Performance.- Settings.- 'Illustrating' Bleak House.- Conclusion: Classic Television.- Notes.- Appendix: The Beginning and Ending of Each Episode.- Bibliography.- Credits.- Index.
Notă biografică
CHRISTINE
GERAGHTY
is
Honorary
Professorial
Fellow
at
the
University
of
Glasgow
and
Honorary
Research
Fellow
at
Goldsmiths,
University
of
London.
She
is
the
author
ofNow
a
Major
Motion
Picture:
Film
Adaptations
from
Literature
and
Drama(2008);My
Beautiful
Laundrette(2004);British
Cinema
in
the
Fifties:
Gender,
Genre
and
the
'New
Look'(2000);
andWomen
and
Soap
Opera(1990),
and
editor,
with
David
Lusted,
ofThe
Television
Studies
Book(1998
Textul de pe ultima copertă
Bleak
Houseis
one
of
Charles
Dickens's
darker
works:
a
vision
of
London
as
the
polluted,
diseased
heart
of
an
industrialising
nation.
This
great
novel
of
inheritance,
corruption
and
mystery,
published
in
the
serial
form
now
associated
with
television
drama,
was
also
one
of
the
first
successful
detective
stories.
In
2005,
the
BBC
announced
a
major
new
adaptation,
scripted
by
Andrew
Davies,
produced
by
double-BAFTA
winner
Nigel
Stafford-Clark,
and
starring
Gillian
Anderson
as
Lady
Dedlock.
Broadcast over eight hours in fifteen episodes, thisBleak House, in an appeal to youthful audiences, controversially combined the suspense of soap opera with visual innovation, careful attention to period detail, and outstanding performances.
Christine Geraghty's revealing study traces the double narrative in which the youthful protagonists grow into adulthood while the doomed Lady Dedlock is hunted to death in a tele-noir adaptation of the British novel's first detective story. She examines how the different styles of acting relate to Dickens's own vivid characterisation, taking issue with Davies's attitude to Dickens's most complex heroine, Esther Summerson. She explores the series' settings, including a London styled as a soap-opera set, and the great country houses where secrets are kept under wrap. And, using illustrations from the novel, she looks at how the traditional Dickensian 'pictures' were innovatively combined with HD visuals to powerful effect.
This fascinating study strongly makes the case for the contemporary BBC adaptation ofBleak Houseas a true television classic.
Broadcast over eight hours in fifteen episodes, thisBleak House, in an appeal to youthful audiences, controversially combined the suspense of soap opera with visual innovation, careful attention to period detail, and outstanding performances.
Christine Geraghty's revealing study traces the double narrative in which the youthful protagonists grow into adulthood while the doomed Lady Dedlock is hunted to death in a tele-noir adaptation of the British novel's first detective story. She examines how the different styles of acting relate to Dickens's own vivid characterisation, taking issue with Davies's attitude to Dickens's most complex heroine, Esther Summerson. She explores the series' settings, including a London styled as a soap-opera set, and the great country houses where secrets are kept under wrap. And, using illustrations from the novel, she looks at how the traditional Dickensian 'pictures' were innovatively combined with HD visuals to powerful effect.
This fascinating study strongly makes the case for the contemporary BBC adaptation ofBleak Houseas a true television classic.
Caracteristici
First
detailed
analysis
of
BBC's
television
series
production
of
Bleak
House
Highly illustrated with many production stills from the BFI National Archive Comparison between soap opera and Dickens's serials
Detailed analysis of a classic adaptation brought into prominence in the bicentenary of Dickens's birth in 2012 leading to a possible tiein
Highly illustrated with many production stills from the BFI National Archive Comparison between soap opera and Dickens's serials
Detailed analysis of a classic adaptation brought into prominence in the bicentenary of Dickens's birth in 2012 leading to a possible tiein