Cathy Come Home: BFI TV Classics
Autor S. Laceyen Limba Engleză Paperback – 9 dec 2010
Stephen Lacey provides the first book-length account ofCathy Come Homeand offers a close textual reading, focusing on its main themes and storytelling techniques. He analyses the film and its production history, outlining how it came to the screen and placing it in its social and cultural context, and charts its media reception and how it became a national phenomenon. Lacey also explores howCathydraws on a range of filmic and dramatic traditions, including the French New Wave and contemporary documentary and current affairs, and explores the anti-rhetorical style of 'non-acting' that has come to be associated with Loach's work.
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Specificații
ISBN-13: 9781844573165
ISBN-10: 1844573168
Pagini: 137
Ilustrații: 0, 88 black & white halftones
Dimensiuni: 135 x 190 x 10 mm
Greutate: 0.25 kg
Ediția:2010
Editura: British Film Institute
Colecția British Film Institute
Seria BFI TV Classics
Locul publicării:London, United Kingdom
ISBN-10: 1844573168
Pagini: 137
Ilustrații: 0, 88 black & white halftones
Dimensiuni: 135 x 190 x 10 mm
Greutate: 0.25 kg
Ediția:2010
Editura: British Film Institute
Colecția British Film Institute
Seria BFI TV Classics
Locul publicării:London, United Kingdom
Descriere
A
study
of
the classic
television
drama Cathy
Come
Home(BBC
1966) which
tells
the
moving
story
of a
young
couple's struggles
with
poverty,
debt
and
homelessness. Stephen
Lacey
placesCathyin
its
institutional
context
and
examines
its
impact
on
first
broadcast
and
its
lasting
influence.
Cuprins
Acknowledgements.-
Introduction.-
Contexts
of
Production.-
A
Radical
Aesthetic.-
'More
Real
than
Real'.-
Contexts
of
Reception.-
Conclusion.-
Credits.
Notă biografică
STEPHEN
LACEY
is
?Professor
of
Drama,
Film
and
Television
at
the
Cardiff
School
of
Creative
and
Cultural
Industries,
University
of
Glamorgan
(UK).
He
is
the
author
ofTony
Garnett(2007)
and
the
co-editor
ofPopular
Television
Drama:
Critical
Perspectives(2005)
and
ofBritish
Television
Drama:
Past,
Present
and
Future(2000).
Textul de pe ultima copertă
?Cathy
Come
Homeis
one
of
the
most
influential
and
highly-regarded
UK
television
dramas.
First
screened
in
1966,
it
was
a
devastating
indictment
of
government
policy
towards
homelessness,
and
a
powerful
defence
of
the
homeless.
More
than
forty
years
on,
it
is
still
cited
as
one
of
the
most
important
television
dramas
of
all
time.
Screened
in
the
BBC's
groundbreakingWednesday
Playanthology
series,
Cathy
was
the
first
single
UK
television
play
to
be
made
on
film
and
shot
substantially
on
location.
Directed
by
Ken
Loach
and
produced
by
Tony
Garnett,
the
film
had
an
immediate
impact,
recording
unprecedented
audience
approval
ratings
and
generating
controversy
in
the
press.
Its
appearance
coincided
with
the
launch
of
the
housing
charity
Shelter,
which
used
an
image
of
Carol
White
(the
actress
who
played
Cathy)
as
part
of
a
poster
campaign
that
helped
the
charity
become
a
national
campaigning
body
on
behalf
of
the
homeless.Cathywas
also
formally
innovative.
Based
on
the
writer
Jeremy
Sandford's
meticulous
research,
it
combined
a
variety
of
documentary
techniques
in
a
dramatic
context,
and
was
one
of
the
first
in
a
long
line
of
controversial
'documentary
dramas'
associated
with
the
UK
single
play.
Stephen Lacey provides the first book-length account ofCathy Come Homeand offers a close textual reading, focusing on its main themes and storytelling techniques. He analyses the film and its production history, outlining how it came to the screen and placing it in its social and cultural context, and charts its media reception and how it became a national phenomenon. Lacey also explores howCathydraws on a range of filmic and dramatic traditions, including the French New Wave and contemporary documentary and current affairs, and explores the anti-rhetorical style of 'non-acting' that has come to be associated with Loach's work.
Stephen Lacey provides the first book-length account ofCathy Come Homeand offers a close textual reading, focusing on its main themes and storytelling techniques. He analyses the film and its production history, outlining how it came to the screen and placing it in its social and cultural context, and charts its media reception and how it became a national phenomenon. Lacey also explores howCathydraws on a range of filmic and dramatic traditions, including the French New Wave and contemporary documentary and current affairs, and explores the anti-rhetorical style of 'non-acting' that has come to be associated with Loach's work.
Caracteristici
'Cathy' had a huge public impact at the time it was broadcast and remains hugely influential today
Author has written a monograph on 'Cathy's producer, Tony Garnett, for MUP
Book will draw on original research in BBC archives as well as interviews with Garnett