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Experimental Cinema in the Digital Age de Malcolm Le Grice

Experimental Cinema in the Digital Age

Autor Malcolm Le Grice
en Limba Engleză Paperback – 31 aug 2001
Michael Le Grice, a pioneer of 'structural film' in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays. The essays shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film. The book contributes to the contemporary debates about film, video, art and new technology.
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Specificații

ISBN-13: 9780851708737
ISBN-10: 0851708730
Pagini: 352
Ilustrații: illustrated
Dimensiuni: 155 x 235 x 24 mm
Greutate: 0.64 kg
Ediția:2002
Editura: Bloomsbury Publishing
Colecția British Film Institute
Locul publicării:London, United Kingdom

Notă biografică

Malcolm Le Grice is a film-maker whose works have featured in major international exhibitions and, like Berlin Horse, Sketches for a Sensual Philosophy and Chronos Fragmented, been shown on television. He is currently Professor and Head of Research at Central St Martins College of Art and Design in London.

Cuprins

Preface: The Colour of Time, Sean CubittNote on Editing and SourcesIntroductionPart I. HISTORY1. Thoughts on Recent 'Underground' Film [1972]2. Presenting an Avant-Garde Film in London [1974]3. The History We Need [1979]Part II. ON OTHER ARTISTS4. On Léger, Vertov and The Flicker Film [1977]5. Kurt Kren [1975]6. Some Introductory Thoughts on Gidal's Films and Theory [1979]7. Takahiko Iimura - Getting the Measure of Time [1998]Part III. DEBATES8. Stan Brakhage and Malcolm Le Grice Debate, Stan Brakhage and Malcolm Le Grice [1978]9. Letters from Gidal and Le Grice, Peter Gidal and Malcolm Le Grice [1978]10. Narrative Illustion vs. Structural Realism, Malcolm Le Grice and P. Adams Sitney [1977]Part IV. GENERAL THEORY11. Real TIME/SPACE [1972]12. Material, Materiality, Materialism [1978]13. Problematising the Spectator's Placement in Film [1981]14. Towards Temporal Economy [1980]15. Cinemology [1982]Part V. DIGITAL THEORY16. Outline for a Theory of the Development of Television [1970]17. Computer Film as Film Art [1974]18. The Implication of Digital Systems for Experimental Film Theory [1994]19. Kismet, Protagony and the Zap Splat Factor [1993]20. The Chronos Project [1995]21. Colour Abstraction - Painting - Film - Digital Media [1995]22. Mapping in Multi-Space - Expanded Cinema to Virtuality [1996]23. A Non-Linear Tradition - Experimental Film and Digital Camera [1997]24. Art in the Land of Hydra-media [1998]25. Digital Cinema and Experimental Film - Continuities and Discontinuities [1999]Index

Textul de pe ultima copertă

Michael Le Grice, a pioneer of "structural film" in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays. The essays shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film. The book contributes to the contemporary debates about film, video, art and new technology.