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Bluebeard de Hattie Naylor

Bluebeard: Modern Plays

Autor Hattie Naylor
en Limba Engleză Paperback – 4 noi 2013
This is all we are. This is all sex is. The attempted obliteration of the self. That's why it's so brutal. All there is the plane of nature. It was what was before and will always be, and our complete annihilation, this leisurely murdered world, is after all, what is.Bluebeard invites you into his chamber to share in the violent passion of his deviant sexual acts. Will he excite you? Will he seduce you? Will he love you to death?With its provocative, intelligently handled exploration of sexually motivated violence, Bluebeard is a psycho-sexual, stark and violent reimagining of the famous fairy-tale.
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Specificații

ISBN-13: 9781472568793
ISBN-10: 1472568796
Pagini: 56
Dimensiuni: 129 x 198 x 4 mm
Greutate: 0.07 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays

Locul publicării:London, United Kingdom

Caracteristici

Hattie Naylor's take on one of the most notorious and disturbing fairy tales in history, written in the sixteenth century by Charles Perrault, maintains the horrors of the original, while the lyricism of her writing lulls you into a false sense of ease.

Notă biografică

Hattie Naylor has won several national and international awards for her plays and has had a number of her stories broadcast on Radio 4, including Mathilde, Solaris, J'Accuse and The Making of Ivan the Terrible. Theatre and opera work include Mother Savage for Travelling Light, the opera Odysseus Unwound for Tête à Tête, The Nutcracker for Theatre Royal Bath, Ivan and the Dogs for the Soho Theatre, and Going Dark for Fuel. She also teaches scriptwriting on the MA in Creative Writing at Bath Spa University.

Recenzii

Hattie Naylor's script is full of the head-spinning facts that make astronomy both frightening and fascinating
Hattie Naylor's writing beautifully conveys the incredible way the boy and dogs connected to each other
Hattie Naylor's stark, bleak play feels like a fairytale. Its language and rhythms have the steady simplicity of a child's speech
In Hattie Naylor's text, the relationship between father and son shines so brightly [.] that it suffuses the whole play with a rich, glowing emotional depth
Hattie Naylor brings a modern adaptation of the French fable to the stage in order to question our current complicity with the objectification of women . . . poetic in style and well-executed in all
. . . a gripping and incredibly intense experience.
. . . bold and thoughtful take . . .