In Place of a Show: What Happens Inside Theatres When Nothing Is Happening
Autor Augusto Corrierien Limba Engleză Paperback – 29 noi 2017
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Specificații
ISBN-13: 9781350054448
ISBN-10: 1350054445
Pagini: 208
Ilustrații: 30 bw illus
Dimensiuni: 215 x 139 x 22 mm
Greutate: 0.25 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
ISBN-10: 1350054445
Pagini: 208
Ilustrații: 30 bw illus
Dimensiuni: 215 x 139 x 22 mm
Greutate: 0.25 kg
Ediția:NIPPOD
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
Caracteristici
The book is a creative work in its own right that moves between different writing registers, makes playful use of numerous visual documents, and offers a fundamentally poetic reading experience that will appeal to both specialists and the general reader
Notă biografică
Augusto Corrieri is a London-based artist and writer. First trained as a sleight of hand magician, in 2002 he graduated in Theatre at Dartington College of Arts, and since then has presented numerous live works for theatres and galleries in the UK and across Europe. In his writing he has explored the poetics of performance and the entanglement of human and non-human worlds.
Cuprins
IntroductionChapter 1. Residenztheater: the dismantled auditoriumChapter 2. Dalston Theatre: progress report on a demolished buildingChapter 3. Teatro Olimpico: the avian theatreChapter 4. Teatro Amazonas: "the opera house in the jungle"AfterwordImage CreditsBibliographyIndex
Recenzii
Augusto Corrieri demands a critical consideration of dormant, repurposed, and surviving théâtre à l'italienne (or "Italianate stage"), arguing that the persistence of the spaces invites theatre scholars to consider and reemphasize nonhuman and overlooked theatrical phenomena . Corrieri's writing moves seamlessly through instances of performance philosophy, theatre history, visual analysis, and travel blogging. His unique perspective and methodology offer new connections between history, theory, and scholarship of recent site-based and immersive theatre practices.
The student of theatre can certainly find a good deal of objective and often surprising information about the subjects of the study here, but the real delight of the book is in how the author uses the story of the theatres ... to create a series of illuminating ... associations ... Each section engagingly presents its information, as one expects from a thoughtful and well-crafted essay, but it adds to this the pleasure of unexpected associations and an almost musical flow of discourse.
The student of theatre can certainly find a good deal of objective and often surprising information about the subjects of the study here, but the real delight of the book is in how the author uses the story of the theatres ... to create a series of illuminating ... associations ... Each section engagingly presents its information, as one expects from a thoughtful and well-crafted essay, but it adds to this the pleasure of unexpected associations and an almost musical flow of discourse.