Bodies and Artefacts: Historical Materialism as Corporeal Semiotics (2 vols.): Historical Materialism Book Series, cartea 244
Autor Joseph Fracchiaen Limba Engleză Hardback – 5 ian 2022
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Specificații
ISBN-13: 9789004348745
ISBN-10: 9004348743
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Historical Materialism Book Series
ISBN-10: 9004348743
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Historical Materialism Book Series
Cuprins
Acknowledgements
Notes on Notes
Introduction: Exposing the Corporeal Roots of Historical Materialism and Moving toward a Corporeal Semiotics
Introduction to Part 1
1 An Aufhebung of Philosophy and the Genesis of a Materialist Conception of History: Objectification and Marx’s Corporeal Turn
2 From the First Corporeal Fact of Human Being to the Moments of History: Corporeality, Modes of Objectification, and Ways of Worldmaking
3 The Dimensions and Methodological Leitfaden of a Historical-Materialist Wissenschaft
Introduction to Part 2. Toward a Historical-Materialist Cartography of Human Corporeal Organisation
4 The Body Is Not a Tabula Rasa: Clearing a Path toward a ‘Hidden Bodily Problematic’
5 Toward a Corporeal Cartography: Methodological Preliminaries
6 Toward a Historical-Materialist Cartography of Human Corporeal Organisation (in Outline): On the Corporeal Constitution of Patterns of Human Experience, Behaviour, and Realities
7 On the Corporeal Constitutions of Cognition and Subjecthood
Conclusion to Part 2: What It Is Like To Be a Human: Corporeally-Constituted Patterns of Human Experience and Subjecthood
Introduction to Part 3
8 The ‘Linguistic Turn’ and Its Discontents: A Critique of Disembodied Semiotics
9 The ‘Cultural Turn’ and Its Discontents: A Critique of Disembodied Cultural Studies
10 Artefacts as Corporeal Signs; toward a Corporeal Semiotics
Conclusion to Part 3: Corporeal Semiotics as Measure of Social Wealth and Socio-cultural Form: On Artefactual Beneficence and Mendacity
Introduction to Part 4
11 Methodological Reflections on Forms of Social Objectivity and Subjectivity: Class, Class Consciousness, and the Critique of Capitalist Cultural Form
12 A ‘Great Transformation’: A Genealogy of Capital’s Culture of Quantity
13 The Commodity Form, Quantification, and the Standpoint of Capital: An Archaeology of Capital’s Culture of Quantity
14 The Capitalist Labour-Process and the Body in Pain: The Corporeal Depths of Marx’s Concept of Immiseration
Conclusion to Part 4: The Mendacity of the Vast Capitalist Artefact
Anticipatory Notes in Conclusion: A Time to Pause, a Time to Reflect, a Time to Wish, a Time to Hope: Toward a Corporeally-Grounded Vision of Human Freedom and Dignity
Appendices
References
Index
Notes on Notes
Introduction: Exposing the Corporeal Roots of Historical Materialism and Moving toward a Corporeal Semiotics
Part 1 Reconstructing Historical Materialism ‘Up from the Body’: The Corporeal Foundations of a Materialist Conception of History and the Guiding Threads of a Historical-Materialist Wissenschaft
Introduction to Part 1
1 An Aufhebung of Philosophy and the Genesis of a Materialist Conception of History: Objectification and Marx’s Corporeal Turn
2 From the First Corporeal Fact of Human Being to the Moments of History: Corporeality, Modes of Objectification, and Ways of Worldmaking
3 The Dimensions and Methodological Leitfaden of a Historical-Materialist Wissenschaft
Part 2 Mapping Human Corporeal Organisation
Introduction to Part 2. Toward a Historical-Materialist Cartography of Human Corporeal Organisation
4 The Body Is Not a Tabula Rasa: Clearing a Path toward a ‘Hidden Bodily Problematic’
5 Toward a Corporeal Cartography: Methodological Preliminaries
6 Toward a Historical-Materialist Cartography of Human Corporeal Organisation (in Outline): On the Corporeal Constitution of Patterns of Human Experience, Behaviour, and Realities
7 On the Corporeal Constitutions of Cognition and Subjecthood
Conclusion to Part 2: What It Is Like To Be a Human: Corporeally-Constituted Patterns of Human Experience and Subjecthood
Part 3 Toward a Corporeal Semiotics
Introduction to Part 3
8 The ‘Linguistic Turn’ and Its Discontents: A Critique of Disembodied Semiotics
9 The ‘Cultural Turn’ and Its Discontents: A Critique of Disembodied Cultural Studies
10 Artefacts as Corporeal Signs; toward a Corporeal Semiotics
Conclusion to Part 3: Corporeal Semiotics as Measure of Social Wealth and Socio-cultural Form: On Artefactual Beneficence and Mendacity
Part 4 Corporeal Categories and the Critique of Sociocultural Form: Capital and Its Culture of Quantity
Introduction to Part 4
11 Methodological Reflections on Forms of Social Objectivity and Subjectivity: Class, Class Consciousness, and the Critique of Capitalist Cultural Form
12 A ‘Great Transformation’: A Genealogy of Capital’s Culture of Quantity
13 The Commodity Form, Quantification, and the Standpoint of Capital: An Archaeology of Capital’s Culture of Quantity
14 The Capitalist Labour-Process and the Body in Pain: The Corporeal Depths of Marx’s Concept of Immiseration
Conclusion to Part 4: The Mendacity of the Vast Capitalist Artefact
Anticipatory Notes in Conclusion: A Time to Pause, a Time to Reflect, a Time to Wish, a Time to Hope: Toward a Corporeally-Grounded Vision of Human Freedom and Dignity
Appendices
References
Index
Notă biografică
Joseph Fracchia is Professor Emeritus of Modern European Intellectual History in the Clark Honors College at the University of Oregon. His major research interest is in the field of historical theory, with a focus on a materialist conception of history.