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Bodies, Love, and Faith in the First World War: Dardanella and Peter: Genders and Sexualities in History

Autor Nancy Christie, Michael Gauvreau
en Limba Engleză Hardback – 7 mai 2018
This book explores the courtship and marriage of Gwyneth Murray, an English woman, and a Canadian, Harry Logan, who wrote in the personae of their vagina (Dardanella) and penis (Peter) during World War I.  Through an analysis of their extensive daily correspondence over nearly a decade, it uncovers the couple’s changing attitudes to the intersection of sexuality and religion, to marriage and childrearing, as they navigated the transition from Victorian to modern values.  By focusing on first-person narratives, this book enriches our understanding of gender identities revealing how porous the boundaries remained between notions of 'heterosexual' and 'same-sex' friendships.  This study offers an unprecedented perspective on one couple’s sexual practices, which included mutual masturbation and oral sex, and constitutes one of the most intensive examinations of female attitudes to sexual pleasure in an era of female emancipation.  
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Specificații

ISBN-13: 9783319728346
ISBN-10: 3319728342
Pagini: 359
Ilustrații: XV, 319 p. 4 illus., 2 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.69 kg
Ediția:1st ed. 2018
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Genders and Sexualities in History

Locul publicării:Cham, Switzerland

Cuprins

Chapter 1. Introduction:  Making Love Sexual in the Edwardian Age.- Chapter 2:  The Emotional Body:  Religion and Male Friendship at Oxford.- Chapter 3: “Phallic Thumbs”:  Conceiving a New Eden.- Chapter 3: The Carnal Brother Body: Emotion, Interiority, and the Epistolary “Talking Cure”.- Chapter 5:  The Gendered Body:  Marriage and a “home of my own”.- Chapter 6: Purring Vaginas and Waggling Penises:  Sexting World War I.- Chapter 7:  The Maternal Body:  Pregnancy, Child-Rearing, and Birth Control.- Chapter 8. Conclusion: “Are the Thumbs Still Wagging?”: Gwyneth, Harry and the Psyche of an Age.- Bibliography.- Index.



Recenzii

“Historians of gender, sexuality, and religion will find a great deal to interest them in this valuable volume.” (Mo Moulton, Journal of British Studies, Vol. 60 (1), January, 2021)

Notă biografică

Nancy Christie is Adjunct Professor of History at the University of Western Ontario, Canada. Previous publications include Engendering the State: Family, Work and Welfare in Canada (2000), which was awarded the Sir John A. Macdonald Prize for best book in Canadian history in 2001, and A Full-Orbed Christianity: The Protestant Churches and Social Welfare in Canada (1996).

Michael Gauvreau is Professor of History at McMaster University, Canada. Previous publications include The Catholic Origins of Quebec’s Quiet Revolution (2005), which was awarded the Sir John A. Macdonald Prize for best book in Canadian history in 2006, and The Hand of God: Claude Ryan and the Fate of Canadian Liberalism, 1925-1971 (2017).

Textul de pe ultima copertă

This book explores the courtship and marriage of Gwyneth Murray, an English woman, and a Canadian, Harry Logan, who wrote in the personae of their vagina (Dardanella) and penis (Peter) during World War I.  Through an analysis of their extensive daily correspondence over nearly a decade, it uncovers the couple’s changing attitudes to the intersection of sexuality and religion, to marriage and childrearing, as they navigated the transition from Victorian to modern values.  By focusing on first-person narratives, this book enriches our understanding of gender identities revealing how porous the boundaries remained between notions of 'heterosexual' and 'same-sex' friendships.  This study offers an unprecedented perspective on one couple’s sexual practices, which included mutual masturbation and oral sex, and constitutes one of the most intensive examinations of female attitudes to sexual pleasure in an era of female emancipation.

Caracteristici

Charts the relationship and marriage of Gwyneth Murray and Harry Logan, through their personal correspondance from 1911-1919 Explores conflicted and complex attempts to frame male and female self-identity during a period of cultural flux Demonstrates that ‘normative’ heterosexuality was not a fixed category in Edwardian society, but had to be constantly rearticulated