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Breathless Days, 1959–1960

Autor Serge Guilbaut, John O`brian
en Limba Engleză Hardback – 2 feb 2017
Taking 1959 1960 as a pivotal cultural and political moment, the contributors to Breathless Days reframe postwar Western art history, examining the aesthetic and ideological alliances and tensions in art throughout Western Europe and the Americas. The collection provides a heterogeneous account of the intersections of the fine art world with literature, jazz, film, and theater in New York, Paris, Milan, Brazil, and Cuba. This reveals the knotty and multilayered connections among these divergent artistic milieus. Whether discussing Duchamp s With My Tongue in My Cheek, Brazilian abstraction, post-revolutionary Cuban art, Jean Tinguely s self-destroying machines, or Burroughs s The Naked Lunch, the contributors show this brief period to be a key to the cultural and political development of Western Europe and the Americas during the Cold War.
Contributors. Carla Benzan, Clint Burnham, Jill Carrick, Eric de Chassey, Mari Dumett, Serge Guilbaut, Luc Lang, Hadrien Laroche, Aleca Leblanc, Richard Leeman, Tom McDonough, Regis Michel, John O'Brian, Kjetil Rodje, Ludovic Tournes, Tonel"
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Specificații

ISBN-13: 9780822360230
ISBN-10: 0822360233
Pagini: 352
Dimensiuni: 160 x 238 x 25 mm
Greutate: 0.59 kg
Editura: MD – Duke University Press

Cuprins

Acknowledgments vii

Introduction / Serge Guilbaut and John O'Brien 1

1. Cahiers du Cinéma Interview / Jean-Luc Godard 22

Part I. Cheek to Cheek in Paris and New York

2. Marcel Duchamp: The Signature Machine—Identity, Authority, Dispossession / Hadrien Laroche 31

3. The Young and the Old / Richard Leeman 60

4. Redefining the Boundaries of Culture: The French Experience of Jazz / Ludovic Tournès 82

5. A Critical Season for Alan Katz / Éric de Chassey 99

6. The Cacodylic Mind: Francis Picabia and the Neo-Avant-Garde, 1953–1963 / Tom McDonough 112

Part II. Violence, Machines, and Bodies

7. The Paradox of Time: Nouveau Réalisme's Curious "Archaeology of the Present" / Jill Carrick 129

8. To Be an "Exemplary" Machine: Tinguely's Homage to New York / Mari Dumett 152

9. Naked Lunch and the Neighbor / Clint Burnbaum 177

10. Bodybuilding or Bodycrushing? From Art to Theater: From Bodies to Corpses, a Rhizomatic Meditation on the Contemporary West / Regis Michel 191

Part III. Time Is Longer Than Any Distance

11. Action Writing/Action Reading / Luc Lang 205

12. From the Genius in the Mountain to the Party in the Dark: Art, Cinema, and Cultural Politics at the Beginning of the Cuban Revolution / Antonio Eligio (Tonel) 211

13. Disorder and Progress in Brazilian Visual Culture, 1959 / Aleca Le Blanc 234

14. That Tingling Sensation: 1959 and William Castle's The Tingler / Kjetil Radje 255

15. Atopic Atomic: Picro Manzoni's Space-Age Subtext and the "Ins and Outs" of the Modern Intellectual / Carla Benzan 275

Selected Bibliography 313

Contributors 319

Index 323

Notă biografică

Serge Guilbaut is Professor Emeritus of Art History at the University of British Columbia and the author and editor of several books, including How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War.
John O'Brian is Professor of Art History and Faculty Associate of the Peter Wall Institute for Advanced Studies at the University of British Columbia and the author and editor of several books, most recently, Camera Atomica.