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British Avant-Garde Fiction of the 1960s

Editat de Kaye Mitchell, Nonia Williams
en Limba Engleză Hardback – 11 feb 2019
Provides much-needed critical analyses of the work of 60s avant-garde writers . Offers focused essays - each presents one author in their cultural/critical/historical contexts - by experts in the field. Recuperates a lost decade in British literature and thus fills a vital gap in literary history, between late modernism and early postmodernism. Responds to burgeoning critical and popular interest in authors such as Christine Brooke-Rose, Ann Quin, and B.S. Johnson, and to a widespread interest in experimental and innovative writing more generally.
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Specificații

ISBN-13: 9781474436199
ISBN-10: 1474436196
Pagini: 280
Dimensiuni: 160 x 234 x 23 mm
Greutate: 0.5 kg
Editura: EDINBURGH UNIVERSITY PRESS

Descriere

A collection of research-led essays on seminal British avant-garde writing of the 1960s

Notă biografică

Dr Kaye Mitchell is Senior Lecturer in Contemporary Literature at the University of Manchester. She is the author of Intention and the Text: Towards an Intentionality of Literary Form (Continuum, 2008) and A L Kennedy (Palgrave, 2007) and the editor of Sarah Waters: Contemporary Critical Perspectives (Bloomsbury, 2013).
Nonia Williams is a Lecturer in Literature in the School of Literature, Drama and Creative Writing at the University of East Anglia, UK. She has recently written on madness, formal experiment, and cliché in Ann Quin for Textual Practice, and is currently researching Doris Lessing and Muriel Spark materials in the British Archive of Contemporary Writing at UEA.

Cuprins

Introduction: 'The avant-garde must not be romanticized. The avant-garde must not be dismissed', Kaye Mitchell; 1. Muriel Spark and the possibility of popular experiment, Marina McKay; 2. B.S. Johnson: the book as dynamic object', Joseph Darlington; 3. Giles Gordon: Beyond the Words, and beyond the language of experimentalism, David Hucklesby; 4. Brigid Brophy's aestheticism: the camp anti-novel, Len Gutkin; 5. Alexander Trocchi: Man at leisure, Christopher Webb; 6. Anna Kavan: Pursuing the 'in-between reality' hidden by the 'ordinary surface of things', Hannah Van Hove; 7. J.G. Ballard: Visuality and the novels of the near future, Natalie Ferris; 8. Ann Quin: 'infuriating' experiments?, Nonia Williams; 9. Contradiction, Incongruity and Fragmentation: Political and Avant-Garde Compromise in the Work of Alan Burns, Kieran Devaney; 10. Eva Figes: tracing the survival of a 'poetry of the inarticulate', Chris Clarke; 11. Christine Brooke-Rose: the development of experiment, Stephanie Jones; 12. Aspirations inevitably failing: hope and negativity in Rayner Heppenstall's experimental fiction of the 1960s, Philip Tew; 13. Maureen Duffy: the politics of experimental fiction, Eveline Kilian; 14. Not the Last Word on the Sixties Avant Garde: An Afterword, Glyn White; Index.