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Broadcast your Shakespeare: Continuity and Change Across Media

Editat de Dr Stephen O'Neill
en Limba Engleză Hardback – 13 dec 2017
This volume of essays contributes to current debates about Shakespeare in new media. It importantly develops the field by providing a comparativist approach to Shakespeare's dynamic media history. Contributors toBroadcast Your Shakespeareaddress the variety of ways Shakespeare texts have been expressed through different media and continue to be. Writing at the intersection of Shakespeare studies and media studies, these international contributors also consider the role of a particular media in producing Shakespeare's effect on us - as readers, viewers and users. The volume suggests how current analyses of new media Shakespeare have much to learn from older media, and that an awareness both of media specificity and also continuity can enhance Shakespeare pedagogy and research.
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Specificații

ISBN-13: 9781474295116
ISBN-10: 1474295118
Pagini: 336
Ilustrații: 4 bw illus
Dimensiuni: 129 x 198 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția The Arden Shakespeare
Locul publicării:London, United Kingdom

Caracteristici

A major collection on a timely topic in Shakespeare studies

Notă biografică

Stephen O'Neillis a Lecturer in the Department of English, National University of Ireland Maynooth,Ireland. His most recent book isShakespeare and YouTube: New Media Forms of the Bard(Bloomsbury, 2014).

Cuprins

AcknowledgementsList of IllustrationsNote on Procedures and Abbreviations Note on ContributorsIntroduction: '"Sow'd and Scattered": Shakespeare's Media Ecologies' Stephen O'Neill, Maynooth University, IrelandPart I: The Politics of Broadcast(ing) Shakespeare 1. 'Broadcasting Censorship: Hollywood's Production Code andA Midsummer Night's Dream' Darlena Ciraulo, University of Central Missouri, USA2. 'Broadcasting the Bard: Orson Welles, Shakespeare, and War' Robert Sawyer, East Tennessee State University, USA3. 'This Distracted Globe This Brave New World: Learning from the MIT Global Shakespeares' Twenty-First Century' Diana Henderson, MIT Boston, USA 4. '"Once more to the breach!": Shakespeare, Wikipedia's Gender Gap, and the Online, Digital Elite' David C. Moberly, University of Minnesota, USAPart II: Genre and Audience 5. 'Emo Hamlet: Locating Shakespearean Affect in Social Media' Christy Desmet, University of Georgia, USA 6. '"It Is Worth the Listening To": The Phonograph and the Teaching of Shakespeare in the Early Twentieth-Century America' Joseph Haughey, Northwest Missouri State University, USA 7. 'Juliet, Tumbld: Fan Renovations of Shakespeare's Juliet on TumblrT', Kirk Hendershott-Kraetzer, Olivet College, USA8. '"Certain o'er incertainty":Troilus and Cressida, Ambiguity and theLewisepisode "Generation of Vipers"', Sarah Olive, University of York, UKPart III: Broadcast the Self: Celebrity and Identity 9. 'Vlogging the Bard: Serialization, Social Media, Shakespeare' Douglas Lanier, University of New Hampshire, USA10. 'Tweeting Television / Broadcasting the Bard: @HollowCrownFans and Digital Shakespeares', Romano Mullin, Queen's University Belfast, UK 11. '"Somewhere in the World . Someone misquoted Shakespeare. I can sense it": Tom Hiddleston performing the Shakespearean online' Anna Blackwell, DeMontfort University, UKAfterword: Courtney Lehmann, University of the Pacific, USA NotesIndex

Recenzii

The result is a wide-ranging and incisive study.Broadcast Your Shakespeareis a valuable guide to Shakespeare as he has been repeatedly remade.
The book is an expansive, wide-ranging assessment of what it means to broadcast Shakespeare.Because of its carefully balanced attention to both platform and user,Broadcast Your Shakespearemanages successfully to navigate a wide range of adaptive processes, offering more than a selection of interesting case studies. As such, it points the way to valuable new directions in the field of appropriation studies.