Cantitate/Preț
Produs
Total produse
Vezi coșul
Building a Character de Constantin Stanislavski

Building a Character: Bloomsbury Revelations

Autor Constantin Stanislavski
en Limba Engleză Paperback – 24 apr 2013
In this follow up to his most famous book,An Actor Prepares, Stanislavski develop his influential 'system' of acting by exploring the imaginative processes at the heart of the actor's craft.Building a Characterdeals with the physical realisation of character on the stage through such tools as expressions, movement and speech. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers and - available now in theBloomsbury Revelationsseries to mark the 150th anniversary of Stanislavski's birth - it remains an essential read for actors and directors at all stages of their careers.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (2) 10872 lei  3-5 săpt. +3060 lei  4-10 zile
  Bloomsbury Publishing – 24 apr 2013 10872 lei  3-5 săpt. +3060 lei  4-10 zile
  Taylor & Francis – 28 apr 1989 23055 lei  6-8 săpt.

Din seria Bloomsbury Revelations

Preț: 10872 lei

Preț vechi: 12499 lei
-13% Nou

Puncte Express: 163
Preț estimativ în valută:
2081€ • 2168$ • 1730£

Carte disponibilă

Livrare economică 20 ianuarie-03 februarie 25
Livrare express 03-09 ianuarie 25 pentru 4059 lei

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781780935676
ISBN-10: 1780935676
Pagini: 272
Dimensiuni: 138 x 216 x 25 mm
Greutate: 0.35 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Bloomsbury Revelations

Locul publicării:London, United Kingdom

Caracteristici

The follow-up to the international bestseller, An Actor Prepares, now in the Bloomsbury Revelations series.

Notă biografică

Konstantin Stanislavski (1863-1938) was a Russian director who sought 'inner realism' by insisting that his actors find the truth within themselves and 'become' the characters they portrayed. His work brought international fame to the Moscow Art Theatre, which he had co-founded with Vladimir Nemirovich-Danchenko in 1897. During his early years at the Moscow Art Theatre, he directed the first productions of Chekhov's Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904) as well as a series of celebrated versions of Shakespeare. Stanislavski toured America with the company in 1923. After World War II, the US edition of Stanislavski's treatise An Actor Prepares (1926) became a bible of the Method school of acting.

Cuprins

Explanatory Note by the Translator \ 1. Toward a Physical Characterization \ 2. Dressing a Character \ 3. Characters and Types \ 4. Making the Body Expressive \ 5. Plasticity of Motion \ 6. Restraint and Control \ 7. Diction and Singing \ 8. Intonations and Pauses \ 9. Accentuation: The Expressive Word \ 10. Perspective in Character Building \ 11. Tempo-Rhythm in Movement \ 12. Speech Tempo-Rhythm \ 13. Stage Charm \ 14. Toward an Ethics for the Theatre \ 15. Patterns of Accomplishment \ 16. Some Conclusions on Acting \ Index.

Descriere

In this follow up to his most famous book, An Actor Prepares, Stanislavski develop his influential 'system' of acting by exploring the imaginative processes at the heart of the actor's craft. Building a Character deals with the physical realisation of character on the stage through such tools as expressions, movement and speech. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers and - available now in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth - it remains an essential read for actors and directors at all stages of their careers.

Recenzii

"Indispensable for the actor, stimulating for the layman." -- The Nation
"Anyone who attempts to train actors or to direct plays will find here a great mine of practical wisdom, all informed by Stanislavski's grasp of the art itself." -- Francis Fergusson, Educational Theatre Journal
"In (this book) Stanislavski, assuming the reader's familiarity with the 'inner technique', proceeds to study costume and the wearing of costume, bodily movement, voice, speech and the use of language, and tempo and rhythm-- the more external but essential techniques whereby the actor learns to use his physical instrument . . . and he expounds them as only a master can; i.e., with the insight and authority of talent plus expeirence. Anyone who attempts to train actors or to direct plays will find here a great mine of practical wisdom." -- Francis Fergusson, Education Theatre Journal
"The chapter on Diction and Singing offers an analysis of basic problems of singing that is unrivaled." -- Musical America