Burning Man: The Ascent of DH Lawrence
Autor Frances Wilsonen Limba Engleză Paperback – 25 mai 2022
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Specificații
ISBN-13: 9781408893654
ISBN-10: 1408893657
Pagini: 512
Ilustrații: B&W illustrations throughout
Dimensiuni: 129 x 198 x 35 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:London, United Kingdom
ISBN-10: 1408893657
Pagini: 512
Ilustrații: B&W illustrations throughout
Dimensiuni: 129 x 198 x 35 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:London, United Kingdom
Caracteristici
Will join the ranks of groundbreaking literary biography such as Francesca Wade's Square Haunting, The Invention of Nature by Andrea Wulf, Richard Holmes's Footsteps, Adam Nicolson's The Making of Poetry and Sue Prideaux's I Am Dynamite!
Notă biografică
Frances Wilson is a biographer and critic. Her most recent book Guilty Thing: A Life of Thomas De Quincey was longlisted for the Baillie Gifford Prize for non-fiction 2016 and shortlisted for the National Book Critics Circles Award, the LA Times Book Awards, and the BIO Plutarch Prize. It was named Book of the Year in the Guardian, Times Literary Supplement, Spectator, and Telegraph, and cited by Booklist as one of the ten best-reviewed books in America during 2016. How to Survive the Titanic: Or, the Sinking of J Bruce Ismay won the Elizabeth Longford Prize for Historical Biography and The Ballad of Dorothy Wordsworth won the British Academy Rose Mary Crawshay Award. She lives in London.
Recenzii
Wilson's Dantesque excursion detracts only marginally from the brilliance of her book. Her great strength is the aliveness of her writing, which constantly interweaves glowing phrases from Lawrence into its fabric
D. H. Lawrence's reputation has plummeted in recent decades. This defiantly positive biography sets out to rescue him from his critics and place him back on a literary pedestal
[A] brilliant biography
I cannot remember the last time one left me feeling so exhilarated, so challenged and absorbed ... Burning Man is a work of art in its own right, as wanton and as magnificently flawed as anything Lawrence ever wrote . The chorus of voices builds and builds. Sometimes ecstatic and sometimes shrill, it brings Lawrence alive in all his derangement: his ridiculousness as well as his glory; his perspicacity and his blindness . Wilson writes so brilliantly, and with such conviction. If you believe, as I do, that to live life well is to fail in ways that may be unimaginably huge, this strange and confounding book is for you
Not only does Frances Wilson revive her subject, she lifts the whole genre. Biography of this calibre is rare ... Our most original biographer
[Wilson] gives it to you straight . and leaves you to decide for yourself . This is a red-hot, propulsive book. The impression it leaves is of Lawrence not so much as a phoenix (his chosen personal emblem) rising from the flames, but of a moth coming too close to a candle and, singed and frantic, flying into and into and into the wick
DH Lawrence's reputation has plummeted in recent decades. This defiantly positive biography sets out to rescue him from his critics and place him back on a literary pedestal. "Her great strength," John Carey said in his review of Wilson's book, "is the aliveness of her writing"
The challenge for any biographer of one Lawrence is to come to terms with his many contradictions - his rage, impotence, silliness and genius. This elegantly written, intelligent and witty account lays them all bare with admirable skill
Wilson tells the story well. It was a period of uncertainty, of bonds being shed and reforged; of the immense growth of Lawrence's reputation
Wilson's Guilty Thing, her life of Thomas De Quincey, is one of the finest recent literary biographies ... Burning Man is in the same league. . This is a book that performs a rare and laudable task: of saving a writer, posthumously, from himself. We are all beneficiaries of Wilson's articulate and persuasive advocacy
Heady, entrancing, comedic. Outstanding . Without condoning Lawrence's temper at all - quite the opposite, indeed - Wilson reveals an achingly flawed, ultimately sympathetic human being, who wrote mostly imperfect novels, but whose immense contribution to the twentieth-century literary scene is worth both acknowledging and commemorating. And whatever you have thought of Lawrence, or will think after reading this book, Frances Wilson's Burning Man is a virtuoso performance in the art of biography-writing
A brilliantly unconventional biography, passionately researched and written with a wild, playful energy. Above all Frances Wilson's great achievement is to liberate Lawrence from the old, heavy, moth-eaten "priest of love" mythology, instead breathing new life into his big novels as contemporary "autofiction", and lovingly stoking the furious fires in his letters, poetry and short stories. A new Lawrence emerges: a thinker, travel writer and essayist of strange, absurd, irrepressible genius
'"How can biography do justice to Lawrence's complexities?" asks this book. Frances Wilson shows us exactly how. Hers is the most original voice in life-writing today
No biography of Lawrence that I have read comes close to Burning Man in getting across both his unquenchable fire and his appalling ruthlessness. After reading almost every page, you think "what a monster!" but then at the same time "what an eye!" - for people, landscape, birds, the whole world really. It's a wonderful book
Dare we hope that Lawrence might soon assume his rightful place - neither messiah nor pariah - as a writer of boundless freshness, originality and breadth? If so Frances Wilson's stimulating and utterly enthralling book will be seen to play a vital role in the long-awaited rehabilitation of the man who, in the words of poet Tony Hoagland, "burned like an acetylene torch/ from one end to the other of his life"
[An] engrossing, entertaining and illuminating biography . Wilson, whose previous books include a compelling life of Thomas de Quincey, eloquently makes the case for Lawrence's genius and the need for his revaluation
This is in many ways a superb biography . Her writing about him is gloriously vivid
Meticulously researched and energetic . She converts this seemingly incendiary and unapologetic radical into a patron saint of passionate intensity . It is a job well done in illuminating Lawrence's many complexities
Wilson captures the ferocity and aggression of this driven author . Burning Man presents a rounded, empathetic portrait of Lawrence
Beautifully written
A vivid picture of a complex, difficult, haunted man whose art was driven by conflict
Thrillingly unusual ... If you want a cool, dispassionate biography, this is not it ... At times she seems to be almost channelling Lawrence, especially in her landscape descriptions, which are as good as Lawrence's own.
[A] witty and rigorous reappraisal of this divisive, divided figure
Frances Wilson's spirited defence of D. H. Lawrence is a work of art in its own right ... Burning Man is a work of both non-fiction and imagination, impeccably handled by a writer in command of her craft
D. H. Lawrence's reputation has plummeted in recent decades. This defiantly positive biography sets out to rescue him from his critics and place him back on a literary pedestal
[A] brilliant biography
I cannot remember the last time one left me feeling so exhilarated, so challenged and absorbed ... Burning Man is a work of art in its own right, as wanton and as magnificently flawed as anything Lawrence ever wrote . The chorus of voices builds and builds. Sometimes ecstatic and sometimes shrill, it brings Lawrence alive in all his derangement: his ridiculousness as well as his glory; his perspicacity and his blindness . Wilson writes so brilliantly, and with such conviction. If you believe, as I do, that to live life well is to fail in ways that may be unimaginably huge, this strange and confounding book is for you
Not only does Frances Wilson revive her subject, she lifts the whole genre. Biography of this calibre is rare ... Our most original biographer
[Wilson] gives it to you straight . and leaves you to decide for yourself . This is a red-hot, propulsive book. The impression it leaves is of Lawrence not so much as a phoenix (his chosen personal emblem) rising from the flames, but of a moth coming too close to a candle and, singed and frantic, flying into and into and into the wick
DH Lawrence's reputation has plummeted in recent decades. This defiantly positive biography sets out to rescue him from his critics and place him back on a literary pedestal. "Her great strength," John Carey said in his review of Wilson's book, "is the aliveness of her writing"
The challenge for any biographer of one Lawrence is to come to terms with his many contradictions - his rage, impotence, silliness and genius. This elegantly written, intelligent and witty account lays them all bare with admirable skill
Wilson tells the story well. It was a period of uncertainty, of bonds being shed and reforged; of the immense growth of Lawrence's reputation
Wilson's Guilty Thing, her life of Thomas De Quincey, is one of the finest recent literary biographies ... Burning Man is in the same league. . This is a book that performs a rare and laudable task: of saving a writer, posthumously, from himself. We are all beneficiaries of Wilson's articulate and persuasive advocacy
Heady, entrancing, comedic. Outstanding . Without condoning Lawrence's temper at all - quite the opposite, indeed - Wilson reveals an achingly flawed, ultimately sympathetic human being, who wrote mostly imperfect novels, but whose immense contribution to the twentieth-century literary scene is worth both acknowledging and commemorating. And whatever you have thought of Lawrence, or will think after reading this book, Frances Wilson's Burning Man is a virtuoso performance in the art of biography-writing
A brilliantly unconventional biography, passionately researched and written with a wild, playful energy. Above all Frances Wilson's great achievement is to liberate Lawrence from the old, heavy, moth-eaten "priest of love" mythology, instead breathing new life into his big novels as contemporary "autofiction", and lovingly stoking the furious fires in his letters, poetry and short stories. A new Lawrence emerges: a thinker, travel writer and essayist of strange, absurd, irrepressible genius
'"How can biography do justice to Lawrence's complexities?" asks this book. Frances Wilson shows us exactly how. Hers is the most original voice in life-writing today
No biography of Lawrence that I have read comes close to Burning Man in getting across both his unquenchable fire and his appalling ruthlessness. After reading almost every page, you think "what a monster!" but then at the same time "what an eye!" - for people, landscape, birds, the whole world really. It's a wonderful book
Dare we hope that Lawrence might soon assume his rightful place - neither messiah nor pariah - as a writer of boundless freshness, originality and breadth? If so Frances Wilson's stimulating and utterly enthralling book will be seen to play a vital role in the long-awaited rehabilitation of the man who, in the words of poet Tony Hoagland, "burned like an acetylene torch/ from one end to the other of his life"
[An] engrossing, entertaining and illuminating biography . Wilson, whose previous books include a compelling life of Thomas de Quincey, eloquently makes the case for Lawrence's genius and the need for his revaluation
This is in many ways a superb biography . Her writing about him is gloriously vivid
Meticulously researched and energetic . She converts this seemingly incendiary and unapologetic radical into a patron saint of passionate intensity . It is a job well done in illuminating Lawrence's many complexities
Wilson captures the ferocity and aggression of this driven author . Burning Man presents a rounded, empathetic portrait of Lawrence
Beautifully written
A vivid picture of a complex, difficult, haunted man whose art was driven by conflict
Thrillingly unusual ... If you want a cool, dispassionate biography, this is not it ... At times she seems to be almost channelling Lawrence, especially in her landscape descriptions, which are as good as Lawrence's own.
[A] witty and rigorous reappraisal of this divisive, divided figure
Frances Wilson's spirited defence of D. H. Lawrence is a work of art in its own right ... Burning Man is a work of both non-fiction and imagination, impeccably handled by a writer in command of her craft