Call Me the Seeker: Listening to Religion in Popular Music
Editat de Michael J. Gilmouren Limba Engleză Paperback – 31 aug 2005
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Specificații
ISBN-13: 9780826417138
ISBN-10: 0826417132
Pagini: 322
Ilustrații: 1
Dimensiuni: 156 x 229 x 17 mm
Greutate: 0.45 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:New York, United States
ISBN-10: 0826417132
Pagini: 322
Ilustrații: 1
Dimensiuni: 156 x 229 x 17 mm
Greutate: 0.45 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Continuum
Locul publicării:New York, United States
Cuprins
Table of Contents IntroductionMichael J. Gilmour. Radios in Religious Studies Departments: Preliminary Reflections on the Study of Religion in Popular MusicSection One: Religious Sources behind Popular MusicDaniel Maoz. Woman as Shekhinah: Kabbalistic References in Bob Dylan's InfidelsJames Knight. "I Ain't Got No Home in This World Anymore": Protest and Promise in Woody Guthrie and the Jesus TraditionMichael J. Gilmour. The Prophet Jeremiah, Aung San Suu Kyi, and U2's All That You Can't Leave Behind: On Listening to Bono's JeremiadSection Two: Religious Themes in Popular MusicKarl J. McDaniel. Suffering and Sacrifice in Context: Apocalypticism and Life beyond Les MisérablesBrian Froese. Comic Endings: Spirit and Flesh in Bono's Apocalyptic Imagination, 19801983Anna Kessler. Faith, Doubt, and the Imagination: Nick Cave on the Divine-Human EncounterPaul Martens. Metallica and the God That Failed: An Unfinished Tragedy in Three ActsHarold Penner. The Nature of His Game: A Textual Analysis of "Sympathy for the Devil"J. R.C. Cousland. God, the Bad, and the Ugly: The Vi(t)a Negativa of Nick Cave and P. J. HarveyRandall Holm. "Pulling Back the Darkness": Starbound with Jon AndersonSection Three: Religion and Popular Music's AudiencesAngela M. Nelson. "God's Smiling on You and He's Frowning Too": Rap and the Problem of EvilTim Olaveson. Transcendent Trancer: A Scholar Experiences Rave in Central CanadaAndreas Häger. Under the Shadow of the Almighty: Fan Reception of Some Religious Aspects in the Work and Career of the Irish Popular Musician Sinéad O'ConnorThomas Nesbit. Planet Rock: Black Socioreligious Movements in Early 1980s ElectroMelanie Takahashi. Spirituality through the Science of Sound: The DJ as Technoshaman in Rave CultureMaxine Grossman. Jesus, Mama, and the Constraints on Salvific Love in Contemporary Country Music List of Contributors
Recenzii
"Gilmour has provided readers with a invaluable tool that will assist in the way we look at music -- aligning popular song with the core of its deeper religious message so that we might come to understand the full scope of the art form. Gilmour is one of the most knowledgeable religion writers in the country... Accordingly, Seeker is like no other book on pop music because it looks like at what's behind the medium- investigating the inner/sacred meaning of song, dissecting the holy force driving the rhythms that drive us. Obviously, the text is quite bold and it covers much ground, with a through analysis of many of the religious themes that are found in popular music. Recommended because: Of its uniqueness and depth, and because it attempts to unmask a component of the art form that often goes unrecognized by scholars and critics...Michael Gilmour's book, then, is meant to shine a direct light on the fact that religion is found everywhere in the history of popular song. In the end, Seeker teaches us that if we can see what inspired the creation of the songs, a deeper richer experience will be attained by the listener. " -electricreview.net, December 2005
"Gilmour has assembled an eclectic collection of essays by 17 scholars from the US, Canada, Finland and the Czech Republic. Notes appear at the end of each chapter and the book is well indexed." -The Bible and Critical Theory, 2006
Reference & Research Book News/ August 2006
'This books gives a taste of the extent to which popular music in its range of productive and consumptive practices deals in ideas about God. That theologians should attempt to interact with this all-pervasive discourse seems not only timely but necessary. I for one hope that Gilmour's book will prompt publishers to see the merit in more extended work in this area.' Pete Ward, Kings College London, Studies in World Christianity
"Gilmour's book is a welcome addition to the growing academic literature on the sources, themes and audiences of religion in popular music. The range of topics, and the variety of perspectives brought to bear on the material, make this an original and interesting collection." -Mary Ann Beavis, Associate Professor of Religious Studies, St. Thomas More College, and founder and academic editor of the Journal of Religion and Popular Culture
"Call Me the Seeker should be the latest library addition for scholars and students working in the field of popular culture and religion. Gilmour's volume gives us what the field has been missing-a broad, expansive, and easily accessible study of popular music. Pick up this book, strap on the headphones, and follow Dylan, Guthrie, U2, Sinead O'Connor, Tim McGraw, and the like on a lyrical journey through popular culture and religion." -Conrad Ostwalt, author of Secular Steeples: Popular Culture and the Religious Imagination
"One rarely unearths an in-depth study of religion and popular music like this essay collection" - Library Journal, August 2005
"Modern-day scholars frequently study the interplay between religion and popular culture, especially comic books, movies, television, and literature; however, one rarely unearths an in-depth study of religion and popular music like this essay collection...[Gilmour's] book is recommended for religious studies collections in larger academic libraries." - Library Journal
"Gilmour has assembled an eclectic collection of essays by 17 scholars from the US, Canada, Finland and the Czech Republic. Notes appear at the end of each chapter and the book is well indexed." -The Bible and Critical Theory, 2006
Reference & Research Book News/ August 2006
'This books gives a taste of the extent to which popular music in its range of productive and consumptive practices deals in ideas about God. That theologians should attempt to interact with this all-pervasive discourse seems not only timely but necessary. I for one hope that Gilmour's book will prompt publishers to see the merit in more extended work in this area.' Pete Ward, Kings College London, Studies in World Christianity
"Gilmour's book is a welcome addition to the growing academic literature on the sources, themes and audiences of religion in popular music. The range of topics, and the variety of perspectives brought to bear on the material, make this an original and interesting collection." -Mary Ann Beavis, Associate Professor of Religious Studies, St. Thomas More College, and founder and academic editor of the Journal of Religion and Popular Culture
"Call Me the Seeker should be the latest library addition for scholars and students working in the field of popular culture and religion. Gilmour's volume gives us what the field has been missing-a broad, expansive, and easily accessible study of popular music. Pick up this book, strap on the headphones, and follow Dylan, Guthrie, U2, Sinead O'Connor, Tim McGraw, and the like on a lyrical journey through popular culture and religion." -Conrad Ostwalt, author of Secular Steeples: Popular Culture and the Religious Imagination
"One rarely unearths an in-depth study of religion and popular music like this essay collection" - Library Journal, August 2005
"Modern-day scholars frequently study the interplay between religion and popular culture, especially comic books, movies, television, and literature; however, one rarely unearths an in-depth study of religion and popular music like this essay collection...[Gilmour's] book is recommended for religious studies collections in larger academic libraries." - Library Journal