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Chokepoint Capitalism

Autor Rebecca Giblin, Cory Doctorow
en Limba Engleză Paperback – 10 noi 2022
A FINANCIAL TIMES BOOK OF THE YEAR
A call to action for the creative class and labour movement to rally against the power of Big Tech and Big Media.
Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers) ¿ or both.
Scholar Rebecca Giblin and writer and activist Cory Doctorow argue we¿re in a new era of `chokepoint capitalism¿, with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well illustrated by the plight of creative workers. From Amazon¿s use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook¿s siphoning away of ad revenues from news media, and the Big Three record labels¿ use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere.
By analysing book publishing and news, live music and music streaming, screenwriting, radio, and more, Giblin and Doctorow deftly show how powerful corporations construct `anti-competitive flywheels¿ designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices.
Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that¿s being heisted away ¿ before it¿s too late.
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Specificații

ISBN-13: 9781915590015
ISBN-10: 1915590019
Pagini: 303
Dimensiuni: 127 x 195 x 21 mm
Greutate: 0.46 kg
Editura: Scribe Publishing

Notă biografică

Rebecca Giblin is an ARC Future Fellow and professor at Melbourne Law School, where she leads interdisciplinary teams researching issues around creators¿ rights, access to knowledge, and the regulation of technology and culture. She is director of the Intellectual Property Research Institute of Australia (IPRIA), and heads up the Author¿s Interest and eLending projects (authorsinterest.org; elendingproject.org), as well as Untapped: the Australian Literary Heritage Project (untapped.org.au). Chokepoint Capitalism is her latest book. She also wrote Code Wars and co-edited What if we could reimagine copyright?. Follow her on Twitter (@rgibli)

Cuprins

PART 1: CULTURE HAS BEEN CAPTURED

CHAPTER 1
Big Business Captured Culture

CHAPTER 2
How Amazon Took Over Books

CHAPTER 3
How News Got Broken

CHAPTER 4
Why Prince Changed His Name

CHAPTER 5
Why Streaming Doesn’t Pay

CHAPTER 6
Why Spotify Wants You to Rely on Playlists

CHAPTER 7
What the US Shares with Rwanda, Iran, and North Korea

CHAPTER 8
How Live Nation Chickenized Live Music

CHAPTER 9
Why Seven Thousand Hollywood Writers Fired Their Agents

CHAPTER 10
Why Fortnite Sued Apple

CHAPTER 11
YouTube: Baking Chokepoints In

PART 2: BRAKING ANTICOMPETITIVE FLYWHEELS

CHAPTER 12
Ideas Lying Around

CHAPTER 13
Transparency Rights

CHAPTER 14
Collective Action

CHAPTER 15
Time Limits on Copyright Contracts

CHAPTER 16
Radical Interoperability

CHAPTER 17
Minimum Wages for Creative Work

CHAPTER 18
Collective Ownership

CHAPTER 19
Uniting Against Chokepoint Capitalism

Acknowledgments
Notes
Index