Cinema and Agamben: Ethics, Biopolitics and the Moving Image
Editat de Henrik Gustafsson, Asbjorn Gronstaden Limba Engleză Hardback – 12 mar 2014
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Specificații
ISBN-13: 9781623564360
ISBN-10: 1623564360
Pagini: 264
Ilustrații: 16 bw illus
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.54 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1623564360
Pagini: 264
Ilustrații: 16 bw illus
Dimensiuni: 152 x 229 x 23 mm
Greutate: 0.54 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
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Caracteristici
Agamben
is
ripe
for
analysis,
with
recent
studies
devoted
to
political
theory,
theology,
law,
literature
Notă biografică
Henrik
Gustafsson
is
a
postdoctoral
fellow
at
the
Department
of
Culture
and
Literature,
University
of
Tromsø,
Norway
and
a
member
of
the
Nomadikon
Centre
of
Visual
Culture.
He
is
the
author
ofOut
of
Site:
Landscape
and
Cultural
Reflexivity
in
New
Hollywood
Cinema,
1969-1974(2008)
and
the
editor
(together
with
Asbjørn
Grønstad)
ofEthics
and
Images
of
Pain(2012).
Asbjørn
Grønstad
is
Professor
of
Visual
Culture
in
the
Department
of
Information
Science
and
Media
Studies,
University
of
Bergen,
Norway,
where
he
is
also
the
director
of
the
Nomadikon
Center
for
Visual
Culture.
His
most
recent
books
areEthics
and
Images
of
Pain(co-edited
with
Henrik
Gustafsson,
2012)
andScreening
the
Unwatchable:
Spaces
of
Negation
in
Post-Millennial
Art
Cinema(2011).
Cuprins
List
of
Illustrations
AcknowledgementsIntroduction:
Giorgio
Agamben
and
the
Shape
of
Cinema
to
Come,
Asbjørn
Grønstad
&
Henrik
GustafssonFor
an
Ethics
of
the
Cinema,Giorgio
AgambenCinema
and
History:
On
Jean-Luc
Godard,
Giorgio
AgambenChapter
1.
Silence,
Gesture,
Revelation:
The
Ethics
and
Aesthetics
of
Montage
in
Godard
and
Agamben,
James
S.
WilliamsChapter
2.
Passion,
Agamben
and
the
Gestures
of
Work,Libby
SaxtonChapter
3.
Gesture,
Time,
Movement:
David
Claerbout
meets
Giorgio
Agamben
on
the
Boulevard
du
Temple,Janet
HarbordChapter
4.
Film-of-Life:
Agamben's
Profanation
of
the
Image,Benjamin
NoysChapter
5.
Biopolitics
of
Gesture:
Cinema
and
the
Neurological
Body,Pasi
VäliahoChapter
6.
Propositions
for
a
Gestural
Cinema:
On
'Ciné-Trances'
and
Jean
Rouch's
Ritual
Documentaries,João
Mário
GriloChapter
7.
Engaging
Hand
to
Hand
with
the
Moving
Image:
Serra,
Viola
and
Grandrieux's
Radical
Gestures,Silvia
CasiniChaoter
8.
Counterfactual,
Potential,
Virtual:
Toward
a
Philosophical
Cinematics,Garrett
StewartChapter
9.
Montage
and
the
Dark
Margin
of
the
Archive,Trond
LundemoChapter
10.
Remnants
of
Palestine,
or,
Archeology
after
Auschwitz,Henrik
GustafssonNOTES
ON
CONTRIBUTORSINDEX
Recenzii
A
superb
attempt
to
think
cinema
as
a
matter
of
life
and
death,
this
state-of-the-art
collection
draws
on
the
philosophy
of
Giorgio
Agamben
to
cast
new
light
on
the
movement
of
images
and
on
the
various
kinds
of
cuts
that
are
made
in
their
flow.
The
human
gesture
as
captured
by
cinema
becomes
here
a
site
of
potentiality:
a
breach
of
the
aesthetic,
a
differentiation
from
within
and
hence
an
opening
to
the
ethico-political.
A crucial, timely intervention in studies of film, philosophy and the work of Giorgio Agamben, this volume explores with insight and acuity the intersections of bioethics, politics, and technologies of the moving image. An essential tool for scholars of film and media theory and philosophy, it combines cutting-edge research with two previously untranslated essays by Agamben. Unpicking the mediality of media, with its fractured histories and disseminated ethical futures,Cinema and Agambenrepresents a brilliant new milestone in this emerging field.
A crucial, timely intervention in studies of film, philosophy and the work of Giorgio Agamben, this volume explores with insight and acuity the intersections of bioethics, politics, and technologies of the moving image. An essential tool for scholars of film and media theory and philosophy, it combines cutting-edge research with two previously untranslated essays by Agamben. Unpicking the mediality of media, with its fractured histories and disseminated ethical futures,Cinema and Agambenrepresents a brilliant new milestone in this emerging field.