Cinema of the Arab World: Contemporary Directions in Theory and Practice: Global Cinema
Editat de Terri Ginsberg, Chris Lipparden Limba Engleză Hardback – 4 mar 2020
This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.
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| Springer International Publishing – 4 mar 2020 | 781.42 lei 43-57 zile |
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Specificații
ISBN-13: 9783030300807
ISBN-10: 3030300803
Pagini: 540
Ilustrații: XXXIV, 422 p. 43 illus., 23 illus. in color.
Dimensiuni: 148 x 210 x 41 mm
Greutate: 0.89 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Global Cinema
Locul publicării:Cham, Switzerland
ISBN-10: 3030300803
Pagini: 540
Ilustrații: XXXIV, 422 p. 43 illus., 23 illus. in color.
Dimensiuni: 148 x 210 x 41 mm
Greutate: 0.89 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Global Cinema
Locul publicării:Cham, Switzerland
Cuprins
1. Introduction - Chris Lippard and Terri Ginsberg.- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE.- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi Gharabaghi.- 3. Making the Final Cut: Filmmaking and Complicating National Identity in Qatar and the GCC States - Suzi Mirgani.- 4. Lebanese Cinema and the French Co-production System: The Postcard Strategy - Wissam Mouawad.- BLOC 2: FESTIVAL AND NATION RECONSIDERED.- 5. Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinema - Patricia Caillé.- 6. “Not-Yet” an Industry: The Temporalities of Contemporary Palestinian Cinema - Viviane Saglier.- 7. Mobilities of Cinematic Identity in the Western Sahara - Chris Lippard.- BLOC 3: FROM RESISTANCE TO ENTRENCHMENT AND BACK AGAIN.- 8. Amiralay and Sabbagh in the Post-cinematic Age - Samirah Alkassim.- 9. Family Resemblance: An Anthropologist Looks at Moroccan Documentary - Kevin Dwyer.- 10. Affective Alternatives to Sectarianism in Maroun Baghdadi’s Documentaries - Jeremy Randall.- BLOC 4: POLITICAL AESTHETICS OF STATE AND REVOLUTION IN EGYPT.- 11. Terrorism and Kebab: The Administrative Grotesque and the “Egyptian Chaplin”‒‒Notes on Humor, Resistance, and Biopolitics - Isabelle Freda.- 12. Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema - Iman Hamam.- 13. Teaching Egypt Cinematically -Terri Ginsberg.
Recenzii
“One of the many merits of this volume is that it approaches cinema in its sociohistorical dimension, thus shedding as much light on the circumstances (social, historical, economic, etc.) under which films are produced and consumed as on the films themselves. … The contributions in this collection present a series of possibilities and case studies in how to approach a field that remains both understudied and oversimplified … .” (Giovanni Vimercati, Film Quarterly, Winter, 2020)
Notă biografică
Terri Ginsberg is Assistant Professor of Film at The American University in Cairo, Egypt. She is co-author of Historical Dictionary of Middle Eastern Cinema; author of Visualizing the Palestinian Struggle and Holocaust Film: The Political Aesthetics of Ideology; and co-editor of Perspectives on German Cinema and A Companion to German Cinema.
Chris Lippard is Associate Professor and Director of Graduate Studies in the Department of Film and Media Arts at the University of Utah, USA. He is co-author of the Historical Dictionary of Middle Eastern Cinema and has recently published articles on contemporary Iranian cinema and on Anthony Mann’s Devil’s Doorway.
Chris Lippard is Associate Professor and Director of Graduate Studies in the Department of Film and Media Arts at the University of Utah, USA. He is co-author of the Historical Dictionary of Middle Eastern Cinema and has recently published articles on contemporary Iranian cinema and on Anthony Mann’s Devil’s Doorway.
Textul de pe ultima copertă
"Ginsberg and Lippard have managed something rare: a riveting collection of essays with a consistently strong voice throughout. These chapters treat a diverse archive of films, filmmakers, and contexts with theoretical and historical depth and an urgency of interpretation, challenging the enormous gaps in our knowledge of Arab cinematic expression. Not only is this book indispensable for courses on Arab cinema, it will undoubtedly prompt new routes of inquiry for researchers, teachers, and viewers alike."
— Peter Limbrick, University of California-Santa Cruz, USA
“Cinema of the Arab World fills gaps in the literature and re-envisions the ways in which Arab cinema has been looked at previously. It succeeds by avoiding conforming to the stereotypical molds that guide some scholarship about the region. The mix of established scholars as well as young researchers, and the inclusion of different philosophical and critical theories and methodologies, make this book indispensable to anyone interested in understanding contemporary Arab cinema. Highly recommended."
— Orayb Najjar, Northern Illinois University, USA
This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.
— Peter Limbrick, University of California-Santa Cruz, USA
“Cinema of the Arab World fills gaps in the literature and re-envisions the ways in which Arab cinema has been looked at previously. It succeeds by avoiding conforming to the stereotypical molds that guide some scholarship about the region. The mix of established scholars as well as young researchers, and the inclusion of different philosophical and critical theories and methodologies, make this book indispensable to anyone interested in understanding contemporary Arab cinema. Highly recommended."
— Orayb Najjar, Northern Illinois University, USA
This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.
Caracteristici
Brings together essays by academic experts in the field alongside essays by Arab filmmakers with scholarly backgrounds Employs a range of philosophical and critical theories and methodologies in order to shed light on contemporary conditions of cinematic production and reception in the Arab world and to emphasize the importance of earlier, neglected work Edited by two of the leading scholars of Arab Cinema today