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City of Screens – Imagining Audiences in Manila`s Alternative Film Culture

Autor Jasmine Nadua Trice
en Limba Engleză Paperback – 18 mar 2021
In City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising independent cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience. Discourses around audiences become more salient given that films by independent Philippine filmmakers are seldom screened to domestic audiences, despite their international success. City of Screens provides a deeper understanding of the debates about the competing roles of the film industry, the public, and the state in national culture in the Philippines and beyond.
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Specificații

ISBN-13: 9781478011699
ISBN-10: 1478011696
Pagini: 328
Ilustrații: 21 illustrations
Dimensiuni: 152 x 229 x 21 mm
Greutate: 0.44 kg
Editura: MD – Duke University Press

Notă biografică


Cuprins

Acknowledgments ix
Introduction 1
1. Revanchist Cinemas and Bad Audiences, Multiplex Fiestas and Ideal Publics 39
2. The Quiapo Cinematheque and Urban-Cinematic Authenticity 79
3. Alternative Exhibition and the Rhythms of the City 113
4. "Not for Public Exhibition": Cinema Regulation, Alternative Cinema, and a Rational Body Politic 153
5. "Hollywood Is Not Us": National Circulation and the Speculative State 189
Epilogue 230
Notes 241
Bibliography 281
Index 299

Descriere

Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila, showing how the rising independent Philippine cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience.