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Coleridge and the Romantic Newspaper: The 'Morning Post' and the Road to 'Dejection' de Heidi Thomson

Coleridge and the Romantic Newspaper: The 'Morning Post' and the Road to 'Dejection'

Autor Heidi Thomson
en Limba Engleză Hardback – 5 oct 2016
This book examines how Coleridge staged his private woes in the public space of the newspaper. It looks at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.
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Specificații

ISBN-13: 9783319319773
ISBN-10: 3319319779
Pagini: 292
Ilustrații: XII, 274 p.
Dimensiuni: 148 x 210 x 20 mm
Greutate: 0.47 kg
Ediția:1st ed. 2016
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland

Cuprins

1. Introduction: A Character in the Antithetical Manner.- 2. The Return from Germany.- 3. The Morning Post and Introduction to the Tale of the Dark Ladie.- 4. Mothers, Sons, and Poets in the Morning Post.- 5. Homeless at Grieta Hall.- 6. The 1800 Lyrical Ballads, Mary Robinson, and The Mad Monk.- 7. Mary Robinson and the Poet Coleridge.- 8. ‘Merely the Emptying out of my Desk’.- 9. Conclusion: Dejection. An Ode in the Morning Post as a Palimpsest.- Notes.- Bibliography.- Index.-

Recenzii

“The book is a worthy contribution to the body of works about Coleridge’s persistent self-fashioning, and illuminates a previously neglected area of his Morning Post journalism and his relationship with Robinson.” (Philip Aherne, Modern Language Review, Vol. 114 (3), July, 2019)
“Heidi Thomson’s Coleridge and the Romantic Newspaper: The ‘Morning Post’ and the Road to ‘Dejection’ provides a well-researched look at the connection between Coleridge’s life and work between 1799 and 1802. ... This book will be valuable to Coleridge scholars for the new network of texts that it assembles.” (Christine Woody, The Coleridge Bulletin, Vol. 50, 2017)
“Coleridge and the Romantic Newspaper offers a fascinating account of Coleridge's inner life in a clearly written, well organized format. Thomson's arguments are thoroughly grounded in Coleridge scholarship, and at several moments she makes original contributions.” (William A. Ulmer, Review 19,  nbol-19.org, December 2016)

Notă biografică

Heidi Thomson is Associate Professor of English Literature at Victoria University of Wellington, New Zealand, and President of the Romantic Studies Association of Australasia. She is the editor of novels by Maria Edgeworth and the author of numerous chapters and articles about Thomas Gray, William Collins, Edgeworth, Wordsworth, Coleridge, and Keats. 

Textul de pe ultima copertă

This book examines how Coleridge staged his private woes in the public space of the newspaper by looking at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.

Caracteristici

Looks at a significant yet under-explored period/aspect of Coleridge's career and literary output Fills a considerable gap in understandings of Coleridge’s private torment and how this relates to his perception of Wordsworth’s poetic genius Opines that that the ‘radical difference’ between Wordsworth and Coleridge can be dated earlier than in existing accounts