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Comedy and the Public Sphere: The Rebirth of Theatre as Comedy and the Genealogy of the Modern Public Arena de Arpad Szakolczai

Comedy and the Public Sphere: The Rebirth of Theatre as Comedy and the Genealogy of the Modern Public Arena: Routledge Studies in Social and Political Thought

Autor Arpad Szakolczai
en Limba Engleză Paperback – 21 mai 2015
The book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture.
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Specificații

ISBN-13: 9781138920668
ISBN-10: 1138920665
Pagini: 376
Dimensiuni: 152 x 229 mm
Greutate: 0.52 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Social and Political Thought

Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

Introduction  Part 1: The Public Sphere as a Theatrical Arena of Mocking Contest: Comedy, Mask, Laughter  1. The Public and Its Masks: Permanent Hyper-Critique and Hypocritical Performance  2. Nietzsche’s Intuitions: From Theatre Through Humanist Philology to Richard Wagner, or the Genealogy of the Modern World As Stage  3. Ridiculing as Public Weapon   Part 2: The Rebirth of Theatre as Comedy out of the Spirit of the Byzantium  4. The Byzantine Spirit and Its Sources  5. Transmitting, Receiving and Nurturing the Byzantine Spirit  6. The Rise of Theatre in Venice  Part 3: The Effect Mechanism of Commedia dell’Arte: Visions and Realities of Commedification  7. Commedia dell’Arte: Schismogenic Sub-Plots and Irresistible Stock-Types  8. Shakespeare: The Tragedy of World History Being a Comedy  9. Representing Representation: Visionary Images of Commedia dell’Arte  Part 4: The Rebirth of Commedia dell’Arte as the Avant-garde  10. The Rebirth of Pierrot as Suffering Victim  11. Obsessed with Paris and Public Fame: Richard Wagner, the Mimomaniac Revolutionary  12. Pierrot and Pulcinella in Between Paris and Petersburg: The Avant-Garde of Diaghilev and Meyerhold.  Conclusion.

Descriere

The book aims at reframing the discussion on the "public sphere," usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture.