Composers of the Nazi Era: Eight Portraits
Autor Michael H. Kateren Limba Engleză Hardback – 5 ian 2000
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Specificații
ISBN-13: 9780195099249
ISBN-10: 0195099249
Pagini: 416
Dimensiuni: 237 x 161 x 31 mm
Greutate: 0.82 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0195099249
Pagini: 416
Dimensiuni: 237 x 161 x 31 mm
Greutate: 0.82 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
This psychologically sensitive and fascinating study of the lives of eight selected composers must be acclaimed as a significant contribution to our understanding of the history of the Third Reich ... recommended reading.
With the accuracy of a detective, Kater goes in search of the slightest clues that could throw light on each artist's degree of involvement with the Third Reich. At the same time he lets the reader participate in this search for evidence and in the difficult and often ambivalent assessment of each individual when it comes to guilt or responsibility in dealings with the regime.
One of the merits of this book is the way in which it brings to light the fine differences in the attitudes of these composers towards the Third Reich and how they and their music were regarded by the Nazi ruling class, whilst refraining from black-and-white depictions and generalizations.
A very impressive achievement - for two reasons above all. First, the range of Kater's research and documentation is awe-inspiring. Second, Kater sets out neither to canonise or to demonise ... Ultimately, this is a book which provokes thoughts rather than spelling them out ... Kater doesn't offer answers, but after reading his book, we can at least see the questions more clearly.
Kater's background knowledge is impressive, and he refuses to oversimplify of to make facile judgements ... well worth reading.
With the accuracy of a detective, Kater goes in search of the slightest clues that could throw light on each artist's degree of involvement with the Third Reich. At the same time he lets the reader participate in this search for evidence and in the difficult and often ambivalent assessment of each individual when it comes to guilt or responsibility in dealings with the regime.
One of the merits of this book is the way in which it brings to light the fine differences in the attitudes of these composers towards the Third Reich and how they and their music were regarded by the Nazi ruling class, whilst refraining from black-and-white depictions and generalizations.
A very impressive achievement - for two reasons above all. First, the range of Kater's research and documentation is awe-inspiring. Second, Kater sets out neither to canonise or to demonise ... Ultimately, this is a book which provokes thoughts rather than spelling them out ... Kater doesn't offer answers, but after reading his book, we can at least see the questions more clearly.
Kater's background knowledge is impressive, and he refuses to oversimplify of to make facile judgements ... well worth reading.
Notă biografică
Michael H. Kater is Distinguished Research Professor of History at the Centre for German and European Studies, York University, Toronto. He has published widely on several historical subjects, and is a Guggenheim Fellow and a Fellow of the Royal Society of Canada.