Confucius’ Courtyard: Architecture, Philosophy and the Good Life in China
Autor Xing Ruanen Limba Engleză Paperback – 17 noi 2021
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Specificații
ISBN-13: 9781350217614
ISBN-10: 1350217611
Pagini: 368
Ilustrații: 61 bw illus
Dimensiuni: 138 x 216 x 31 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350217611
Pagini: 368
Ilustrații: 61 bw illus
Dimensiuni: 138 x 216 x 31 mm
Greutate: 0.45 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
Explores the previously overlooked concept of the Chinese 'Good Life' - a virtuous, yet pleasurable, secular existence - founded in ancient principles, and key to understanding much of Chinese society and culture, even today.
Notă biografică
Xing Ruan is Dean and Guangqi Chair Professor of Architecture at the School of Design, Shanghai Jiao Tong University, China.
Cuprins
Prologue Part One: HeavenA Panacea from the Courtyard1. What Makes the Chinese HouseI. The Conceptual PartiII. Confucius' CourtyardIII. From Object to Void2. Heaven and What is Below I. The Chinese Tian II. The King's CityIII. The Built World and the Literary WorldPart Two: Heaven and Earth Equilibrium in the Courtyard3. The Divergent TowerI. The Emergence of the Individual and MetaphysicsII. Immortality and Freedom Imagined4. Secluded World and Floating LifeI. The Middling Hermit II. The Artful Transition 5. A Deceiving SymbolI. The Travelling Merchant and the Oddity of their CourtyardII. Women in Chinese Marriage and HouseholdIII. Behind Good Taste and Refinement6. Literary Enchantment and the Garden House I. Li Yü's World II. Internalized Garden and the "Horizon" beyondIII. Courtyard and Decorum7. The Golden Mean Finely TunedI. The Anatomy of a Beijing Quadrangle II. Life and Ambience in the HutongIII. The City as a Large QuadrangleIV. Distinctive Character versus Uniformity8. Living like the ChineseI. The "Guest" Chinese and their Chinese CourtyardsII. Chinese Form and Exotic MeaningPart Three: Earth The Emancipation of Desire and the Loss of Courtyard9. The Irresistible MetropolisI. Modern City Born of Refugee CrisisII. From Diminishing Courtyard to Porous House10. The Assault of ModernityI. Quadrangle without the Confucian World II. The Lingering CourtyardIII. Nothingness, Horizon and Discreet PleasureEpilogue The Four or the FiveBibliographyIndex
Recenzii
[Confucius' Courtyard] is a delightful reflection on and exposition of the significance of the courtyard to the Chinese conceptualization of the cosmos and way of life . Ruan elegantly weaves together literary, philosophical, artistic and architectural musings. The book is both learned and readable.
What can I say? This is a truly magnificent work of scholarship for the understanding of China, one that I have been waiting for - China as a civilization at the centre of which is the courtyard: an architectural feature that embodies the doctrine of the mean set in a material world, compact enough to be readily accessible to reason and lived with due deference to the social rites and rules under Heaven's benign patronage, a world that modern society has vigorously transgressed in recent decades, leading us to wonder, what follows? Unlike many scholarly books Xing Ruan's comes to life, almost jumps off the page, because it draws not only on traditional sources in history and philosophy, but also on charming narratives of how the Chinese people actually lived. It is a book for the scholar's study and for the hammock by the seashore. It is a triumph that I envy!
An enchanting story paradoxically woven round a void - the courtyard - it offers a fresh account of the transformations of the Chinese city.
Xing Ruan grasps a fundamental architectural element as an insightful window for understanding broader issues of society and history. Ruan's elegant prose soars as he weaves nuanced observations, classical Chinese writings, and buildings throughout the world into a cohesive narrative.
This humane and intelligent study compares courtyard buildings of widely different ages and geographies. Deep insight into architectural world-building is the result. Apparently empty, the courtyard is full of potential, actualized historically in ways that still make sense, even today.
What can I say? This is a truly magnificent work of scholarship for the understanding of China, one that I have been waiting for - China as a civilization at the centre of which is the courtyard: an architectural feature that embodies the doctrine of the mean set in a material world, compact enough to be readily accessible to reason and lived with due deference to the social rites and rules under Heaven's benign patronage, a world that modern society has vigorously transgressed in recent decades, leading us to wonder, what follows? Unlike many scholarly books Xing Ruan's comes to life, almost jumps off the page, because it draws not only on traditional sources in history and philosophy, but also on charming narratives of how the Chinese people actually lived. It is a book for the scholar's study and for the hammock by the seashore. It is a triumph that I envy!
An enchanting story paradoxically woven round a void - the courtyard - it offers a fresh account of the transformations of the Chinese city.
Xing Ruan grasps a fundamental architectural element as an insightful window for understanding broader issues of society and history. Ruan's elegant prose soars as he weaves nuanced observations, classical Chinese writings, and buildings throughout the world into a cohesive narrative.
This humane and intelligent study compares courtyard buildings of widely different ages and geographies. Deep insight into architectural world-building is the result. Apparently empty, the courtyard is full of potential, actualized historically in ways that still make sense, even today.