Consuming Mass Fashion in 1930s England: Design, Manufacture and Retailing for Young Working-Class Women: Palgrave Studies in Fashion and the Body
Autor Cheryl Robertsen Limba Engleză Paperback – 18 oct 2023
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Specificații
ISBN-13: 9783030946159
ISBN-10: 3030946150
Ilustrații: XXV, 332 p. 76 illus., 45 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.43 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Fashion and the Body
Locul publicării:Cham, Switzerland
ISBN-10: 3030946150
Ilustrații: XXV, 332 p. 76 illus., 45 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.43 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Fashion and the Body
Locul publicării:Cham, Switzerland
Cuprins
Introduction. Premise.- Chapter 1. Agents of change.- Chapter 2. What is fashion?.- Chapter 3. Progressive production practices: Developments in design, print, colour forecasting and fabric.- Chapter 4. New developments and technological change: The business of mass manufacturing fashion.- Chapter 5. Localities of fashion modernity in the 1930s: Practices of retailing behind the high street.- Chapter 6. Localities of fashion modernity in the 1930s: Practices of retailing on the high street.
Recenzii
“With its references to previous literature, extensive footnotes, lengthy citations and discussions of future work, the publication reflects its genesis as a PhD and it makes a welcome addition to dress history, particularly to studies of the dress of working-class women and to all aspects of dress of the 1930s studies of retail.” (Christine Boydell, Costume, Vol. 57 (2), 2023)
Notă biografică
Dr Cheryl Roberts is Senior Lecturer at Chelsea, Camberwell and Wimbledon (CCW), University of Arts London (UAL), UK. She also teaches on the Royal College of Art/V&A Museum MA History of Design Programme and is currently Visiting Research Fellow in the School of Humanities at the University of Brighton, UK. Her research is rooted in the material culture of objects—particularly the consumption of dress and textiles—and how they acquire meaning through their relationship with specific acts in historical and cultural contexts.
Textul de pe ultima copertă
This book details a significant and largely untold history of the demand for cheap, fashionable clothing for young working-class women. This is an interdisciplinary fashion and business history analysis that investigates the design, manufacture, retailing and consumption of fashion for and by young working-class women in 1930s Britain. It concentrates on new mass developments in the design and manufacture of lightweight day dresses styled for younger women, and on their retailing in the second-hand trade and seconds dealing, street markets, new multiple stores, department stores, independent dress shops and home dressmaking. The book also discusses the specific impact of this new product within the emerging mass manufactured goods mail order catalogue industry in England. These outlets all offered venues of consumption to the young, employed, modern working-class woman, and are analysed in the context of old and new businesses practices. The actuality of the garments worn by these young women is paramount to this research and will be at the forefront of all findings and outcomes.
Dr Cheryl Roberts is Senior Lecturer at Chelsea, Camberwell and Wimbledon (CCW), University of Arts London (UAL), UK. She also teaches on the Royal College of Art/V&A Museum MA History of Design Programme and is currently Visiting Research Fellow in the School of Humanities at the University of Brighton, UK. Her research is rooted in the material culture of objects—particularly the consumption of dress and textiles—and how they acquire meaning through their relationship with specific acts in historical and cultural contexts.
Dr Cheryl Roberts is Senior Lecturer at Chelsea, Camberwell and Wimbledon (CCW), University of Arts London (UAL), UK. She also teaches on the Royal College of Art/V&A Museum MA History of Design Programme and is currently Visiting Research Fellow in the School of Humanities at the University of Brighton, UK. Her research is rooted in the material culture of objects—particularly the consumption of dress and textiles—and how they acquire meaning through their relationship with specific acts in historical and cultural contexts.
Caracteristici
Details a significant and largely untold history of the demand for cheap, fashionable clothing Concentrates on new mass developments in the design and manufacture of lightweight day dresses Offers venues of consumption to the young, employed, and modern working-class woman