Contemporary British Musicals: ‘Out of the Darkness’
Editat de Clare Chandler, Gus Gowlanden Limba Engleză Paperback – 7 feb 2024
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Specificații
ISBN-13: 9781350268036
ISBN-10: 1350268038
Pagini: 224
Dimensiuni: 169 x 244 x 20 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
ISBN-10: 1350268038
Pagini: 224
Dimensiuni: 169 x 244 x 20 mm
Greutate: 0.4 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Locul publicării:London, United Kingdom
Caracteristici
Ideal for the undergraduate or postgraduate student as can it be used to explore individual musicals or read chronologically to get a sense of the progression within the genre
Notă biografică
Gus Gowland is an award-winning musical theatre writer and composer (Pieces of String - The Stage Debut Award 2018) and is also Post Graduate Musical Theatre Co-ordinator at Leeds Conservatoire. Gus has previously worked at University of Lincoln, University Centre Shrewsbury and University of Wolverhampton, all UK, where he obtained his PhD in 2020. His research interests include LGBTQ+ representation in musical theatre and contemporary British musical theatre. Clare Chandler is a musical theatre practitioner and researcher. As a lecturer Clare has worked at the Liverpool Institute for Performing Arts, Edge Hill University and the University of Wolverhampton. She is currently a senior lecturer in Musical Theatre at the University of Lincoln, UK. Clare's research interests include the impact of technology on the development of contemporary musical theatre, feminism and musical theatre, and pedagogical practice and performer training. She directed the national premiere of Angry Birds the Musical by Dougal Irvine in 2018.
Cuprins
Foreword - Kate MarlaisForeword - Tim SuttonList of ContributorsList of ImagesIntroductionChapter 1 - Bros Abroad: Masculinities in Transition and Homosocial Bonding in Dougal Irvine's Departure Lounge - Broderick ChowDougal Irvine InterviewChapter 2 - 'The Smell of Rebellion' and 'The Stench of Revolt': The Carnivalesque Dramaturgy of Matilda the Musical from Page to Stage - Stephanie LimEllen Kane InterviewChapter 3 - 'Glitching' of gender and temporality in Lift - Jozey GraePerfect Pitch Interview - Andy Barnes, Wendy BarnesChapter 4 - Bend it Like Beckham: The Musical: Embodying British Identities - Kelsey BlairPreeya Kalidas InterviewChapter 5 - Flowers for Mrs Harris: Covid-19, Women's Work, and the Musical's 'some kind of bliss'- Sarah K. WhitfieldRachel Wagstaff & Richard Taylor InterviewChapter 6 - 'You're him and he is you': Identification with the Disabled 'Freak' in The Grinning Man - Ellen ArmstrongToby Olié InterviewChapter 7 - "Something Precious You Don't Simply Give Away": Intersections of Love and Queer Expression in Everybody's Talking About Jamie - Hannah Marie RobbinsRob Hastie Interview Chapter 8 - 'One of a kind, no category': Coding Race, Gender, and Excess in SIX - Aviva NeffJosh Bird InterviewChapter 9 - My Left Right Foot: The Musical - Judith DrakeNoisemaker InterviewChapter 10 - 'As if Gathered in a Verbatim Fashion': The (Mis)Use of Documentary Markers in Chris Bush and Matt Winkworth's The Assassination of Katie Hopkins - Cyrielle GarsonLucy Osborne Interview Conclusion