Contemporary Scottish Plays: Caledonia; Bullet Catch; The Artist Man and Mother Woman; Narrative; Rantin: Play Anthologies
Editat de Trish Reid Autor Alistair Beaton, Rob Drummond, Morna Pearson, Anthony Neilson, Kieran Hurleyen Limba Engleză Paperback – 24 sep 2014
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Specificații
ISBN-13: 9781472574435
ISBN-10: 1472574435
Pagini: 376
Dimensiuni: 129 x 198 x 25 mm
Greutate: 0.32 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Play Anthologies
Locul publicării:London, United Kingdom
ISBN-10: 1472574435
Pagini: 376
Dimensiuni: 129 x 198 x 25 mm
Greutate: 0.32 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Play Anthologies
Locul publicării:London, United Kingdom
Caracteristici
There is a growing international field in Scottish Studies, with particular pockets of interest in other Anglophone contexts. This interest can only increase as Scotland enters a critical phase of its political history.
Notă biografică
Trish Reid is Deputy Head of the School of Performance and Screen Studies at Kingston University, UK. She is a leading scholar of Scottish drama and performance studies and the author of Theatre and Scotland (2012) and The Theatre of Anthony Neilson (forthcoming, Bloomsbury Methuen Drama, 2016).
Cuprins
Introduction;Chronology: plays and eventsCaledonia, by Alistair Beaton;Bullet Catch, by Rob Drummond;The Artist Man and Mother Woman, by Morna Pearson;Narrative, by Anthony Neilson;Rantin, by Kieran Hurley
Recenzii
Very well researched, clear and educational.
[A]n ambitious attempt to educate the audience about the Darien disaster of the 1690s and the thumpingly obvious parallels with the financial meltdown of more recent times. It is a breezy satire, a broad, gallus comedy, a quasi-musical, a pseudo pantomime and a morality tale.
Wonderfully entertaining but emotionally devastating . . . Remarkable, multi-layered and utterly gripping.
This new work more than confirms the promise of one of the freshest, most fearless and taboo-busting voices to be heard anywhere right now . . . both scabrously funny and damningly bleak.
What Hurley is doing, though, is setting out on an ambitious and tremendously worthwhile journey that seeks to link Scotland's familiar past to its fast-changing present
Neilson riffs endlessly on the modern cult of selfhood, inauthencity, the way we increasingly mediate reality through film and other forms of fiction and, tantalisingly, on whether coherent cause and effect in today's fragmented reality is even possible at all.
Reid's selection of plays hints at the current strength of Scottish new writing, supported by companies and venues around the country ... Contemporary Scottish plays will inevitably become a chronicle of triumphs past, like the texts that precede it, but it is to be hoped that at least a few of these plays will come to define early twenty-first century theatre.
[A]n ambitious attempt to educate the audience about the Darien disaster of the 1690s and the thumpingly obvious parallels with the financial meltdown of more recent times. It is a breezy satire, a broad, gallus comedy, a quasi-musical, a pseudo pantomime and a morality tale.
Wonderfully entertaining but emotionally devastating . . . Remarkable, multi-layered and utterly gripping.
This new work more than confirms the promise of one of the freshest, most fearless and taboo-busting voices to be heard anywhere right now . . . both scabrously funny and damningly bleak.
What Hurley is doing, though, is setting out on an ambitious and tremendously worthwhile journey that seeks to link Scotland's familiar past to its fast-changing present
Neilson riffs endlessly on the modern cult of selfhood, inauthencity, the way we increasingly mediate reality through film and other forms of fiction and, tantalisingly, on whether coherent cause and effect in today's fragmented reality is even possible at all.
Reid's selection of plays hints at the current strength of Scottish new writing, supported by companies and venues around the country ... Contemporary Scottish plays will inevitably become a chronicle of triumphs past, like the texts that precede it, but it is to be hoped that at least a few of these plays will come to define early twenty-first century theatre.