Contemporary Storytelling Performance
Autor Stephe Harropen Limba Engleză Paperback – 18 dec 2024
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Specificații
ISBN-13: 9780367698676
ISBN-10: 0367698676
Pagini: 244
Dimensiuni: 234 x 153 x 18 mm
Greutate: 0.41 kg
Editura: Taylor & Francis Ltd.
ISBN-10: 0367698676
Pagini: 244
Dimensiuni: 234 x 153 x 18 mm
Greutate: 0.41 kg
Editura: Taylor & Francis Ltd.
Cuprins
List of Figures
List of Interviews
Acknowledgements
Introduction
0.1 Storytelling as Professional Performance
0.2 Female Artists as Storytellers
0.3 Talking to Storytellers
0.4 Storytelling Presences
Chapter 1 – Storytelling Presences
1.1 Sarah Rundle, The Poorest Hee (2013)
1.2 Clare Murphy, The Nine Muses of Queen’s Crescent (2022)
1.3 Jo Blake, Blodeuwedd Untold (2018)
1.4 Summary: Contemporary Presences
Chapter 2 – Storytelling Authorship
2.1 Alys Torrance, Up Endings! (2021)
2.2 Rachel Rose Reid, Silence (2018)
2.3 Mara Menzies, Blood and Gold (2019)
2.4 Summary: Authoring Storytelling Performances
Chapter 3 – Devising Storytelling
3.1 Sarah Liisa Wilkinson, The Girl and The Snake Witch (2018)
3.2 Alys Torrance, Stoopid (2019)
3.3 Debs Newbold, Outrageous Fortune (2020)
3.4 Summary: Devising New Storytellings
Chapter 4 – Aural Storytelling
4.1 Sarah Liisa Wilkinson, The Devil’s Violin (2019)
4.2 Laura Sampson, Three-Crossing River (2022)
4.3 Debs Newbold, Lost in Blue (2022)
4.4 Summary: Aurality and Story Performance
Chapter 5 – Sites of Storytelling
5.1 Tamar Eluned Williams, Pathways/Llwybrau (2020)
5.2 Vanessa Woolf, Trees (2021) and Ghosts of the Thames (2020)
5.3 Tim Ralphs and Sarah Liisa Wilkinson, The Game of Seven Candles (2021)
5.4 Summary: Sites of Storytelling
Chapter 6 – Story-Performance in New Media
6.1 Mara Menzies, The Giver of Joy (2021)
6.2 Jo Blake, What Do You See With Your Eye to the Keyhole? (2020)
6.3 Xanthe Gresham-Knight, Kitchen Goddess (2020)
6.4 Summary: Story, Media, and Emergent Spaces
Chapter 7 – Story-Performance and Social Practice
7.1 Rachel Rose Reid, Sofa Story Club (2020)
7.2 Xanthe Gresham-Knight, Goddess Lounge (2020-21)
7.3 Pyn Stockman, Tell It To The Bees (2022)
7.4 Summary: Making Social Rituals
Chapter 8 – Storytelling and Slam
8.1 Clare Murphy, Myth Off (2011)
8.2 Lucy Lill & Alys Torrance, Women Who Gave No F**ks (2019)
8.3 Summary: Story, Slam, and Inventing Traditions
Conclusion
9.1 Sally Pomme Clayton, The Frog Princess Punked (2019)
9.2 Contemporary Storytelling Performance
Index
List of Interviews
Acknowledgements
Introduction
0.1 Storytelling as Professional Performance
0.2 Female Artists as Storytellers
0.3 Talking to Storytellers
0.4 Storytelling Presences
Chapter 1 – Storytelling Presences
1.1 Sarah Rundle, The Poorest Hee (2013)
1.2 Clare Murphy, The Nine Muses of Queen’s Crescent (2022)
1.3 Jo Blake, Blodeuwedd Untold (2018)
1.4 Summary: Contemporary Presences
Chapter 2 – Storytelling Authorship
2.1 Alys Torrance, Up Endings! (2021)
2.2 Rachel Rose Reid, Silence (2018)
2.3 Mara Menzies, Blood and Gold (2019)
2.4 Summary: Authoring Storytelling Performances
Chapter 3 – Devising Storytelling
3.1 Sarah Liisa Wilkinson, The Girl and The Snake Witch (2018)
3.2 Alys Torrance, Stoopid (2019)
3.3 Debs Newbold, Outrageous Fortune (2020)
3.4 Summary: Devising New Storytellings
Chapter 4 – Aural Storytelling
4.1 Sarah Liisa Wilkinson, The Devil’s Violin (2019)
4.2 Laura Sampson, Three-Crossing River (2022)
4.3 Debs Newbold, Lost in Blue (2022)
4.4 Summary: Aurality and Story Performance
Chapter 5 – Sites of Storytelling
5.1 Tamar Eluned Williams, Pathways/Llwybrau (2020)
5.2 Vanessa Woolf, Trees (2021) and Ghosts of the Thames (2020)
5.3 Tim Ralphs and Sarah Liisa Wilkinson, The Game of Seven Candles (2021)
5.4 Summary: Sites of Storytelling
Chapter 6 – Story-Performance in New Media
6.1 Mara Menzies, The Giver of Joy (2021)
6.2 Jo Blake, What Do You See With Your Eye to the Keyhole? (2020)
6.3 Xanthe Gresham-Knight, Kitchen Goddess (2020)
6.4 Summary: Story, Media, and Emergent Spaces
Chapter 7 – Story-Performance and Social Practice
7.1 Rachel Rose Reid, Sofa Story Club (2020)
7.2 Xanthe Gresham-Knight, Goddess Lounge (2020-21)
7.3 Pyn Stockman, Tell It To The Bees (2022)
7.4 Summary: Making Social Rituals
Chapter 8 – Storytelling and Slam
8.1 Clare Murphy, Myth Off (2011)
8.2 Lucy Lill & Alys Torrance, Women Who Gave No F**ks (2019)
8.3 Summary: Story, Slam, and Inventing Traditions
Conclusion
9.1 Sally Pomme Clayton, The Frog Princess Punked (2019)
9.2 Contemporary Storytelling Performance
Index
Notă biografică
Stephe Harrop is Associate Professor of Drama at Liverpool Hope University. She is also a contemporary storyteller, creating and touring work across the UK and beyond.