Corsets and Crinolines
Autor Norah Waugh Editat de Judith Dolanen Limba Engleză Hardback – 11 sep 2017
Corsets and Crinolines explains the cyclical nature of these fashions, and how waists and skirts changed shape and size through three distinct eras:
- The 1500s to 1670—farthingales and whaleboned bodies.
- 1670 to 1800—Stays and hooped petticoats.
- 1800 to 1925—corsets, crinolines and bustles.
Corsets and Crinolines also contains a wealth of practical notes and resources for today’s costume makers and designers, including:
- Scaleable patterns for the construction of 25 different bustles, crinolines, corsets, corselets, stays, pocket hoops, hooped petticoats and bodices.
- Detailed appendices on the manufacture of corsets and crinolines, including farthingales, supports and hooped petticoats.
- A list of further reading, including costume histories; textile and weaving histories; reconstruction of period clothing; contemporary application of foundational garments; and a list of museums and institutions with period clothing collections, for first-hand study.
- A glossary of terms and materials.
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Specificații
ISBN-13: 9781138665644
ISBN-10: 1138665649
Pagini: 206
Ilustrații: 117
Dimensiuni: 189 x 246 x 16 mm
Greutate: 0.65 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138665649
Pagini: 206
Ilustrații: 117
Dimensiuni: 189 x 246 x 16 mm
Greutate: 0.65 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom
Recenzii de la cititorii Books Express
Ileana-Daniela Marin a dat nota:
Cand am inceput sa ma interesez de epoca victoriana in special de corsete prima carte recomandata a fost Corsets and Crinolines de Nora Waugh si pe buna dreptate , cvartea este o sursa inepuizabila de informatii contine tipare in miniatura care pot fi marite si folosite , o carte de referinta pentru cei pasionati de corsete si pentru cei care recreeaza costume pentru teatru si film .
Cuprins
Table of Contents
Chapter I. Beginning of the Sixteenth Century to 1670
1. The Whaleboned Body
2. The Farthingale
3. References to Whaleboned Bodies and Farthingales from Contemporary Sources
Chapter II. 1670 to the End of the Eighteenth Century
1. The Stays
2. The Hoop Petticoats
3. References to Stays and Hoop Petticoats from Contemporary Sources
Chapter III. Beginning of the Nineteenth Century to 1925
1. The Corset
2. The Crinoline and the Bustle
3. The Corset—from Contemporary Magazines
4. The Crinoline and the Bustle—from Contemporary Magazines
5. References to Corsets, Crinolies and Bustles from Contemporary Sources
Appendix I: The Construction of Corsets
Appendix II: The Construction of Farthingales, Hoop Petticoats, etc.
Appendix III: Supports for Corsets, Crinolines, etc.
Appendix IV: Whalebone
Glossary
Bibliography
Selected Further Reading
Selected Museums with Costume Collections
Index
Chapter I. Beginning of the Sixteenth Century to 1670
1. The Whaleboned Body
2. The Farthingale
3. References to Whaleboned Bodies and Farthingales from Contemporary Sources
Chapter II. 1670 to the End of the Eighteenth Century
1. The Stays
2. The Hoop Petticoats
3. References to Stays and Hoop Petticoats from Contemporary Sources
Chapter III. Beginning of the Nineteenth Century to 1925
1. The Corset
2. The Crinoline and the Bustle
3. The Corset—from Contemporary Magazines
4. The Crinoline and the Bustle—from Contemporary Magazines
5. References to Corsets, Crinolies and Bustles from Contemporary Sources
Appendix I: The Construction of Corsets
Appendix II: The Construction of Farthingales, Hoop Petticoats, etc.
Appendix III: Supports for Corsets, Crinolines, etc.
Appendix IV: Whalebone
Glossary
Bibliography
Selected Further Reading
Selected Museums with Costume Collections
Index
Notă biografică
Norah Waugh taught courses on historical costume at the Central School of Art and Design in London, as well as being head of the costume department at Michel Saint Denis' London Theatre Studio.
Judith Dolan is a Distinguished Professor of Design at the University of California San Diego. Her costume designs for Harold Prince’s production of Candide won a Tony Award in 1997.
Judith Dolan is a Distinguished Professor of Design at the University of California San Diego. Her costume designs for Harold Prince’s production of Candide won a Tony Award in 1997.
Descriere
This classic book explores the changing shapes of women’s dress from the 1500s to the 1920s, explaining the cyclical nature of these fashions, and how waists and skirts changed shape and size. Extracts from diaries, journals, poems and newspapers, and over 100 illustrations demonstrate the variety of this clothing throughout modern history.