Crafting Textiles in the Digital Age
Editat de Nithikul Nimkulrat, Faith Kane, Kerry Waltonen Limba Engleză Paperback – 24 iun 2020
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Specificații
ISBN-13: 9781350185609
ISBN-10: 1350185604
Pagini: 240
Ilustrații: 54 bw and 23 colour illus
Dimensiuni: 169 x 244 mm
Greutate: 0.64 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350185604
Pagini: 240
Ilustrații: 54 bw and 23 colour illus
Dimensiuni: 169 x 244 mm
Greutate: 0.64 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
Features
recent
design
collections,
products
and
artworks
by
leading
international
textile
practitioners
Notă biografică
Nithikul Nimkulrat is the Professor and Head of Department of Textile Design at the Estonian Academy of Art, Estonia.
Faith Kane is a Lecturer in Textiles and Leader of the Textile Design Research Group at the School of the Arts, Loughborough University, UK. Kerry Walton is the Programme Director for Textiles: Innovation and Design at the School of the Arts, Loughborough University, UK.Cuprins
List
of
Illustrations
List
of
ContributorsForewordJ.R.
Campbell,
Kent
State
University,
USAIntroductionFaith
Kane,
Loughborough
University,
UK,
Nithikul
Nimkulrat,
Estonian
Academy
of
Art,
Estonia,
and
Kerry
Walton,
Loughborough
University,
UKPart
One:
Digital
Technologies
Informing
CraftCrafting
Textiles
in
the
Digital
Age:
Printed
TextilesCathy
Treadaway,
Cardiff
Metropolitan
University,
UKDigital
Embroidery
PracticeTina
Downes,
Nottingham
Trent
University,
UK,
Tessa
Acti,
Independent
Artist,
UK,
and
Donna
Rumble-Smith,
Independent
Artist,
UKTextile
Illusions
-
Patterns
of
Light
and
the
Woven
White
ScreenAnne
Louise
Bang,
Kolding
School
of
Design,
Denmark,
Helle
Trolle,
Kolding
School
of
Design,
Denmark,
and
Anne
Mette
Larsen,
Independent
Researcher,
DenmarkThe
Intelligence
of
the
HandMonika
Auch,
Visual
Artist,
The
NetherlandsPart
Two:
Craft
Intervention
in
Digital
ProcessThe
Digital
Print
Room
-
A
Bespoke
Approach
to
Print
TechnologyHelen
Ryall,
University
of
Huddersfield,
UK
and
Penny
Macbeth,
Manchester
School
of
Art,
UKMaintaining
the
Human
Touch
-
Exploring
'Crafted
Control'
within
an
Advanced
Textile
Production
InterfaceMartin
Woolley,
Coventry
University,
UK
and
Rob
Huddleston,
Birmingham
City
University,
UKGarment
ID:
Textile
Patterning
Techniques
for
Hybrid
Functional
ClothingKerri
Akiwowo,
Loughborough
University,
UKProcesses
within
Digitally
Printed
Textile
DesignSusan
Carden,
Northumbria
University,
UKPart
Three:
Craft
Thinking
in
a
Digital
AgeHand-Knitting
in
a
Digital
EraJosephine
Steed,
Robert
Gordon
University,
UKHidden
Values
and
Human
Inconsistencies
in
Hand-Stitching
ProcessesEmma
Shercliff,
Arts
University
Bournemouth,
UKPerspectives
on
Making
and
Viewing:
Generating
Meaning
through
TextilesSonja
Andrews,
University
of
Manchester,
UKClosely
Held
Secrets:
Embodied
Knowledge
in
Digitally
Crafted
TextilesKatherine
Townsend,
Nottingham
Trent
University,
UK
Index
Recenzii
Crafting
Textiles
in
the
Digital
Ageis
a
timely
debate
on
the
concept
and
role
of
craft
in
textile
creation
and
digital
technology.
The
book's
contributors
address
various
issues,
reflecting
on
aesthetic,
social,
economic,
and
environmental
point
of
views,
making
it
a
valuable
think
tank
for
researchers,
practitioners,
and
makers
within
textiles.
This book offers an overview of the current context and approach being taken to the making and crafting of contemporary digital textiles. It clearly defines the field of digital craft and outlines many key practitioners involved in pushing the boundaries of process, method, and materials. The book clearly demonstrates new and innovative thinking as well as the new visual language which emerges from crafting textiles through digital methods.
This book offers an overview of the current context and approach being taken to the making and crafting of contemporary digital textiles. It clearly defines the field of digital craft and outlines many key practitioners involved in pushing the boundaries of process, method, and materials. The book clearly demonstrates new and innovative thinking as well as the new visual language which emerges from crafting textiles through digital methods.