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Creative Autonomy, Copyright and Popular Music in Nigeria

Autor Mary W. Gani
en Limba Engleză Paperback – 29 iul 2021
This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright’s thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters’ (performing authors') creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a key criterion for sustainable economic development, and makes innovative legal and policy recommendations to help stakeholders preserve it.

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Specificații

ISBN-13: 9783030486969
ISBN-10: 3030486966
Pagini: 310
Ilustrații: XXV, 310 p. 16 illus., 13 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.45 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland

Cuprins

Chapter 1. The Significance of Measuring Creativity for Copyright.- Chapter 2. The Traditional Structure of the Popular Music Industry and the Performing Author’s Role.- Chapter 3. The Unique Structure of the Nigerian Popular Music Industry.- Chapter 4. An Empirical Analysis of the Status of Performing Authors’ Creative Autonomy.- Chapter 5. Creative Autonomy within the Theory of Copyright Law.- Chapter 6. Problems for Creative Autonomy in Copyright Law.- Chapter 7. Problems for Creative Autonomy in New Business Models.- Chapter 8. Problems for Creative Autonomy in Recording Contracts.- Chapter 9. Policy and Legislative Recommendations for the Preservation of Creative Autonomy.- Chapter 10. Conclusion.

Notă biografică

Mary W. Gani holds a degree in law (Jos), an LLM in international commercial law (University of Kent), and a PhD in commercial law from Queen Mary, University of London, UK. She is a barrister and solicitor of the Supreme Court of Nigeria. 


Textul de pe ultima copertă

This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright’s thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters’ (performing authors') creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a key criterion for sustainable economic development, and makes innovative legal and policy recommendations to help stakeholders preserve it.
Mary W. Gani holds a degree in law (Jos), an LLM in international commercial law (University of Kent), and a PhD in commercial law from Queen Mary, University of London, UK. She is a barrister and solicitor of the Supreme Court of Nigeria. 


Caracteristici

Provides an in-depth overview of the Nigerian music industry and Nigerian copyright law Establishes the case for creative autonomy as an intrinsic part of copyright theory and an essential tool for sustainable development Reveals the importance of the role of performing authors as creators and performers of valuable cultural products